How has the love plot been developed in Acts 1 and 2?

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Sidra Sohail 10T                                                                            March 2005

How has the love plot been developed in Acts 1 and 2?

The Merchant of Venice is a play of both love and hate. The love plot begins to develop in Acts 1 and 2, as we are introduced to the leading characters of the play.

     Bassanio is a friend of Antonio, who is the merchant of the play’s title. Bassanio is a young man, and in the beginning of the play we are introduced his infantile character. We learn that he has spent all of his own money and aspires to regain his fortune by marrying the heiress, Portia.

     “…she is fair, and- fairer than that word- of wondrous virtues…Her name is Portia, nothing undervalued…”

     He needs to borrow ducats to present himself to Portia as an eligible suitor. Consequently, he turns to his friend Antonio for the money; however, Antonio has invested all his money in his ships at sea but still offers to borrow money for him, from Shylock. This shows the bond of friendship that lies between Antonio and Bassanio, and in this scene we are introduced to the love of friendship that they both hold.

     In the second scene of Act 1, we are introduced to Portia, whom we have heard little of from the first scene. In the second scene she is longing to finally find her future husband. We learn of a test that Portia’s father had devised before his death, that all her suitors must submit to. As Portia and Nerissa (her lady in waiting) laugh about some of the mens’ peculiarities, Nerissa reminds her of a young Venetian soldier whom Portia met when her father was still alive. Nerissa described him as ‘a scholar and a soldier.’  Portia recalls the man immediately and says:

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     “Yes, yes, it was Bassanio!”

     The enthusiasm with which Portia recalls his name shows us that she remembers him with delight.

     Later on, in Act 2, we learn some new information about the caskets. Portia says to a new suitor who is the Prince of Morocco:

      “You must take your chance or swear before you choose, if you choose wrong, never to speak to lady afterward in way of marriage: therefore be advis’d.”

     We learn from this that if the suitor chooses the wrong casket, he is never ...

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