How Is Sympathy Created For The Monster In Vol Chapter 5 and Vol Chapter 7 In Mary Shelley's Frankenstein?

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How Is Sympathy Created For The Monster In Vol Chapter 5 and Vol Chapter 7 In Mary Shelley’s Frankenstein?

Sympathy is created for the monster in chapter five and chapter seven in Mary Shelley’s Frankenstein by a variety of methods. These methods are utilised and explored deeply throughout the novel.

        Initially, Shelley introduces the creation of Frankenstein’s monster, through the viewpoint of Dr Frankenstein himself. This first interpretation of him is very descriptive and powerful, as it comes from Frankenstein upon the creation of “this catastrophe”. His disgust just creates a more vivid description of the monster, with him describing the monsters contrasting features, such as his “lustrous black” hair and “watery eyes”. His inability to endure the aspect drives him out of the room in terror. This creates sympathy for the being, as we see immediate rejection from its owner. This feeling for sympathy could be greatly misinterpreted, as we know very little about the monster, primarily because of Dr Frankenstein giving a biased opinion in the novel. So, the sympathetic feeling that COULD occur, may also lead to other similar feelings that Dr Frankenstein experiences, such as disgust, rejection, and bewilderment. However justified these descriptions may seem at the time, we must not forget that it still is a biased opinion, and with many people, in the time that Shelley wrote this that were judging on appearance, these other feelings towards the monster certainly occurred.

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        To intensify Frankenstein’s horror and disgust, a range of techniques are utilised. These techniques in turn reflect the gothic genre to which the novel belongs. Pathetic Fallacy is used to great effect in the opening section. The “dreary night of November” is very good at setting the scene as we immediately see the poor weather conditions at the time. Also, there is an increased use of the personal pronoun “I”. This shows Frankenstein’s self absorption, because e constantly refers to himself, and the emotions HE is feeling at the time. Constant images are used to keep the gothic genre constant ...

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