How is the Genre of Mystery used in 'The Signalman' and the 'The Monkey's Paw', and how is this typical of Nineteenth century stories?

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How is the Genre of Mystery used in ‘The Signalman’ and the ‘The Monkey’s Paw’, and how is this typical of Nineteenth century stories?

The writers of the two stories use mystery to entrap and encourage the reader to be addicted to the stories. Giving the readers outcomes of mystery to think about the end of the story but they don’t say if the outcomes are possible, this allows the readers’ imagination to run wild. This is done in the two stories by giving the reader information about the story but not enough to solve the mystery.

The most important thing a writer has to do in a story is give it a title, and this title must attract the reader into reading the story. The two stories create this mystery and want us to read the story, for example ‘The Monkey’s Paw’, in this fable the title makes us think that this is a type of good/bad luck charm like a rabbit’s foot, apparently these objects give us good luck. We then think back to the monkey’s paw and how the monkey’s paw could have this effect on us, whether it being a supernatural good/bad luck charm, or an evil charm which causes us to feel that someone in the story may catch this evilness and this creates mystery, by giving us the title but not enough information to guess the story, so we read on.

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The next tale is ‘The Signalman’, this makes us think that we know some content of the story. A signalman is a very lonely job and we get the feeling that he is isolated from the outside world and the busy city life.

The settings of the tales are not very similar, but they are both set in dark places and the settings are in public places. ‘The Monkey’s Paw’ is set during the nighttime this is dark and mysterious and ‘The Signalman’ is set in a dark tunnel. This is also a good way of creating mystery, as ...

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