How is the Theme of 'Love' Differently Treated in the Poems

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How is the Theme of ‘Love’ Differently Treated in the Poems “First Love”, “To His Coy Mistress”, “Porphyria’s Lover”, “My Last Duchess” and “Shall I Compare Thee”?

A reader of a love poem has a specific. Prejudiced view of love poetry. Generally, it is that love poetry is sentimental and flattering. It is supposed to talk about flowers and chocolates, romance and passion from one person to another. The reader expects imagery of harts and roses, and cliched similes and metaphors. An affectionate and caring tone should be used. The should be honest, sentimental and, above all, romantic.

However, this is often not the case. Love can be portrayed as passionate and sexual, romantic and caring, destructive and heartbreaking, and, unfortunately, possessive and deadly.

The types of love in a poem can be reflected in many ways. One of these ways is the structuring of the poem. “To His Coy Mistress” has a syllogism structure, the first stanza is the ‘if’, from the ‘if, but, so’ syllogism argument. This is shown in the first line ‘Had we but world enough, and time’. This stanza also uses many hyperboles to emphasise the writers love for his mistress, such as ‘love you ten years before the flood’, meaning that he would love her forever, and then ten years. As the main theme of this poem is sex, many physical references are made, such as ‘two hundred to adore each breast’. The main purpose of this stanza is to compliment the mistress to show how great it would be if they had enough time, as they could ‘walk and pass our long days/by the Indian Ganges side’. This is a very romantic scene, and the mistress would feel complimented by it. There are very few references to the personality and character of his mistress, ad this shows that Marvell is only interested in sex. However, like most of this poem, it can be taken another way. Marvell mocks romantic convention by using blatant double entendres such as ‘my vegetable love should grow’. This can be taken romantically, about his love growing, or as a sexual phallic image. This also hints at his attitude towards women – that they are his, to be used for whatever he wishes.

Things change a lot by the second stanza. It is the ‘but’ part of the syllogism. Marvell says that they do not have enough time for all of the romantic things in the first stanza, so they should go on ahead and have sex. To illustrate the point that he is running out of time, he personifies time ‘I always hear/times winged chariot hurrying near’. This verifies the fact that they will not be able to have sex soon, if they don’t do it now. He says that ahead lie ‘deserts of vast eternity’, meaning that if she doesn’t have sex with him, she will have noting to look forward to, because she will no longer be desirable. The writer than goes on to say that if she doesn’t, she will die a virgin. He uses vulgar and insulting imagery to illustrate his point and try to shock her, such as ‘worms shall try/that long preserved virginity’. He is using a phallic image to show that if he doesn’t have sex with her, lesser man (the ‘worms’) will. Basically, he is trying to establish the fact that she cannot ‘win’ unless she has sex with him. He sums up the ‘but’ part of the syllogism by saying ‘the graves a fine and private place/but none I think do there embrace’, urging her to have sex with him before its too late.

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The third and final stanza is the ‘if’ part of the syllogism. It begins with ‘now therefore’, which indicates that he thinks she now wants to have sex with him. He describes her as being young and beautiful by saying how ‘the youthful hue/sits on thy skin like morning dew’, and passionate – ‘at every pore with instant fire’. This shows that he wants her to realise that it would be great if they had sex. There are numerous references to fun and games, such as ‘now let us sport while we may/and now like amorous birds of prey’. This ...

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