How Sentimental Russian Poets Forged a Russian National Culture

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  1. How Sentimental Russian Poets Forged a Russian National Culture

During the War of 1812 Napoleon’s army invaded Russia only to be defeated in battle.  It was after this victory that Russia began to emerge as a significant political power in Eastern Europe.  Russia no longer clung on its Eastern history but started to reevaluate it, focusing on its future with Western Europe and sentimentalism in domestic life.  The sentimental poet Konstantin Batiushkov, who was a strong influence on Alexander Pushkin, “…emphasized the country’s need for national redefinition in the wake of the war.”  With encouragement from Batiushkov, poets such as Pushkin, Nikolai Karamzin, and Evgeny Baratynsky helped to shape Russian cultural identity.  “The Russian writers’ spiritual insight and inspiration provided Russia with a mode of domesticity that symbolizes and accurately reflects a cohesive and meaningful cultural identity.”  These writers created literature that portrayed the benefits of a pure, domestic lifestyle.  They helped to form a culture that praised the love between a husband and wife and warned their readers of the risks of pursuing that love and of the consequences of gaining it.

Works that can be seen as influencing Russia’s national culture into one that places heavy value on domestic needs can be found in the literary products of Karamzin.  In his novelette Poor Liza, we see a young girl who wants to have a husband and create a happy and nurturing home environment.  She begins her dealings with Erast as an innocent girl who has fallen in love with a boy, “good by nature…(but) weak and frivolous…” Erast had good intentions for the future between Liza and himself yet he was also interested in taking her purity. Liza, a young and naive peasant girl, did not even entertain the thought that Erast could be out to do something that was culturally immoral.  Karamzin tries to warn Liza and the reader that people, especially Russian men, go out looking to harm innocent young girls.  With this warning he is suggesting to his readers  that he would prefer that this was not the way of the Russian people.  They should not go out looking to take advantage of the innocent but should enjoy a loving domestic life.  Erast succeeded in what he was trying to achieve in the short term; he took her purity.  During the time he spent with Liza emotional ties between the two of them began to form.  However Erast lost his fortune gambling and married a wealthy widow to regain prosperity and social status.  Erast valued money more than a domestic life, which ended his relationship with Liza.  “Liza sobbed- Erast wept- he left her- she fell…Liza, abandoned, pitiful, lost all her feelings and consciousness.”  Erast, having taken advantage of Liza and then abandoning her, cannot enjoy a pure domestic life.  Liza cannot enjoy one of her own, let alone go on living, after what Erast did to her.  Upon learning that Erast deceived her, “She walked out of the city and suddenly found herself on the bank of a deep pond…at this point Liza threw herself into the water.”   

Early in the novelette Karamzin tells us that Russian women, specifically peasant woman, love their husbands more than anything else.  “And what is more, the poor widow, almost constantly shedding tears over the death of her husband- for indeed peasant women know how to love!”  To create a culture that values domesticity, a key component for making this possible is that the husband and wife love each other.  The husband cannot marry his wife because it will increase his social standing and he cannot marry his wife for her dowry. They only reason he should marry her is because he loves her.  The home cannot be a place where pure domestic living is highly valued if the occupants of it do not love each other.  Russians that live in large cities often have a conception that the peasant lifestyle is close to the ideal lifestyle: calm, pure, and domestically structured.  

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Baratynsky realized that a loving domestic life is the most important thing for a Russian man and wife when he wrote a poem about a lost love entitled Confession.  After he became separated with his true love he possessed no interest in other women, “Another beauty does not enthrall me.”  He tried to date other women but none of them could compare to the woman he wrote his poem to.  Attempting to get over her, he entertained the thought of doing what other men in Russia do: marry a girl because it is beneficial to them financially or socially.  

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