In Act 1 Scene 5 of Romeo and Juliet the lovers first meet and fall in love. Examine closely the ways in which Shakespeare dramatises this moment and explore it's importance to the development of the action of the whole tragedy.

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In Act 1 Scene 5 of Romeo and Juliet the lovers first meet and fall in love. Examine closely the ways in which Shakespeare dramatises this moment and explore it’s importance to the development of the action of the whole tragedy.

     In Shakespeare’s tragedy, Romeo and Juliet, Act 1 Scene 5 is probably the most important part of all. Within this scene Shakespeare gives the audience the first fleeting instance in which the two lovers meet and fall in love. Shakespeare offers this brief but powerful sequence as a symbol of what is to follow and therefore the act becomes probably the most central and thought provoking in the play as a whole. The short and interrupted meeting is interspersed with violence in the form of the fiery Tybalt, and the fact that the lover’s dialogue is cut short at the end represents their impending tragedy. This scene holds a selection of important themes and imagery, which are then developed throughout the play, in a dramatic build up to the tragic climax. In response to the question set, I will explore several key points, which illustrate how Shakespeare does this.

     The lover’s first encounter, in Act 1 Scene 5, takes place amidst a flurry of dramatic action. At the opening of the scene, Capulet gives a warm and generous speech, which establishes his character as being wise and considerate, “You are welcome, gentlemen come, musicians play.” (pg 52) This is ironic, as later in the play we discover that Capulet is actually very deaf to the wishes of others, when he forces Juliet into marriage plans with Paris, and begins the downward spiral to her suicide. Shakespeare uses this characterisation to illustrate that what appears to be so good can actually turn out to be destructive.

     In the next few moments, Romeo catches his first glimpse of Juliet, “O she doth teach the torches to burn bright, It seems she hangs upon the cheek of night, As a rich jewel in an Ethiop’s ear.” (pg 53) His use of language relates Juliet to light and beauty, and it is evident that he is in love with her. However, the moment is interrupted by anger and hatred which is personified in the character of Tybalt, “I will withdraw, but this intrusion shall, now seeming sweet, convert to bitt’rest gall,” (pg 54) Shakespeare uses this moment to instil in the audience, the fact that Romeo and Juliet’s love will always be intruded upon by the feud between their families. From this moment on, the threat of violence is always just around the corner, giving a strong feeling of tension to the audience.

     As Tybalt exits the stage, the first dialogue between the two young lovers begins. This dialogue would have been performed along with an old dance that would have occurred at the time when the play was set. During this dance the couple would be palm to palm, hence the words, “For saints have hands that pilgrims hands do touch, and palm to palm is holy palmers kiss.” (pg 54) Shakespeare would have used this method partially due to the boy actor tradition. Because all of the actors on stage had to be men, Shakespeare needed another way to demonstrate the bond and chemistry between Romeo and Juliet. He would have used this palm to palm dancing as a way of dealing with an all male cast and making the couple appear closer than they really were.

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     Having had merely a few moments together, Romeo and Juliet are immediately ripped apart. The nurse intrudes upon their conversation and sends Juliet off to see her mother, “Madam your mother craves a word with you.” (pg 55) It is this point in the play that signals the abrupt ending of the honeymoon period for Romeo and Juliet. Each of the two young lovers suddenly have their identities revealed to the other, and the implications of this are realised. “Is she a Capulet? O dear account! My life is my foe’s debt.” (pg 55) “My only love sprung ...

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