In Lamb to the Slaughter and The Speckled Band how do the writers explore the genre of the murder mystery story? To what extent is each story a reflection of the society in which it was written?

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Nick Watkinson

In Lamb to the Slaughter and The Speckled Band how do the writers explore the genre of the murder mystery story? To what extent is each story a reflection of the society in which it was written?

        In Roald Dahl's Lamb to the Slaughterand Sir Arthur Conan Doyle's The Speckled Band the authors apply many of the stereotypes and common knowledge to their work. For example, in Lamb to the Slaughter noone thinks it could possibly be the poor, little housewife. Likewise the Victorian views are heavily ingrained in The Speckled Band, if someone looks evil then they are. However, though both stories have had these things injected into them, that which has been injected into one is very different from the other gained. They came from completely different times and were written for audiences with very different tastes in literature.

        The two stories begin in vastly different ways, though both set the scenes, the Dahl story sets it in a short and concise paragraph while Doyle's nearly takes a whole page and shows you Dr Watson looking back on the distant past while Dahl sets the scene as the more recent past.

        Lamb to the Slaughter is very unique when compared to other stories and Dahl well deserves his title of Master of the Macarbe. He challenges our preconceptions by adding a comic twist to the end of the story,this being when "Mary Maloney began to giggle". This twist is unexpected in a story of this genre, intriguing the reader, it shows a stark contrast to Doyle's more stereotypical work which has a far more sombre ending with a sense of justice being done.

        Another challenge to the genre and preconceptions of the reader is that the perpetrator of the crime in Dahl's story is known at the beginning, when the act occurs, "Mary Maloney simply walked behind him" and she "brought it down on the back of his head as hard as she could." As you read the story it makes sense that it should have this anomaly, it is an anomaly in the genre but it is woven in perfectly for the story. This is because the story is written mostly as if there was a camera following Mrs Maloney, it is in her point of view while also being third person.

        The first person narrative is quite effective in The Speckled Band as it places you right inside the story and of course, Watson's head while the third person holds you at a distance. The problem with the first person is that it doesn't always work with a story. If you had put it in Lamb to the Slaughter it would place you into the mind of a mad person, this has the potential to leave the reader quite disquieted so in this story I favour the third person as the more successful of the two. I also find that books in the third person allow multiple stories to continue within one story. This can be used to show the villain's point of view and the detective's point of view and even someone who merely brushes with the main characters. in stories like Doyle's The Speckled Band the first person is effective as it allows Doyle to explain the story straight to you through Holmes talking to Watson, while it pales in it's effectiveness when, as I've mentioned before, you wish to show the views of more than one person.

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        The language of Victorian times is very different to that which we have now, they also had different everyday items, with "frock-coats and "high gaiters" being common items of clothing. Modern printings of Victorian writings have to show what these out dated words mean lest the reader be held in confusion. Lamb to the Slaughter however is contemporary and therefore uses modern language as they had modern items then.

        There are few similarities when compared to the number of differences between these stories. The perpetrator of the murder in The Speckled Band was a large, powerful, violent man though he ...

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