In 'Night of the Scorpion' and 'Vultures', the use of description is both vivid and surprising. The descriptions often lead the reader to expect a certain conclusion or tone and then the poets' use of description changes

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In 'Night of the Scorpion' and 'Vultures', the use of description is both vivid and surprising. The descriptions often lead the reader to expect a certain conclusion or tone and then the poets' use of description changes and this changes the reader's anticipation of how the poems might develop; this is what makes the poems thought-provoking and surprising.

The title 'Night of the Scorpion' sounds like the sort of name a horror film might be given. This is misleading because this poem is not like a horror film at all. Instead of the scorpion being the enemy, the poet 's description of the scorpion's circumstances leads us to feel sympathy for it. He has been 'driven' into the hut by 'ten hours of steady rain'. The use of the word 'driven' suggests that this is a last resort for the scorpion. He really does not want to be there, but he's desperate to be dry and quiet, so he crawls 'beneath a sack of rice'. At this point, we do not see the scorpion as an object of fear or horror as the title of the poems suggests. Ezekiel's sympathy for the scorpion is contrasted with the moment that the scorpion stings his mother - 'flash' reflects the sudden and shocking moment of the sting. His tail is described as 'diabolic' and the neighbours call the scorpion 'the evil one'; the repetition of the alliteration 'parting with his poison' helps the reader feel the sudden and dangerous nature of the sting because the P sounds quick and harsh.
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Similarly, the title of the poem 'Vultures' leads the reader to make assumptions about what the poem is about. In fact, the poem is not really about vultures at all. The vultures are a symbol for an idea that the poet wants to explore: the idea that love can be found in unexpected places. The description of the vultures is harsh and the imagery is of death and violence. The opening alliteration helps set a tone that sounds negative - the dawn is described as 'despondent' and drizzly. The hard sound of the D rings through these opening ...

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