In Shakespeares play Othello the Moor of Venice, Shakespeare cleverly uses the character known as Iago to personify realistic evil.

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Hayden Kallas

Mr. Beckers

Honors English Literature

February 25th 2012

        In Shakespeare’s play Othello the Moor of Venice, Shakespeare cleverly uses the character known as Iago to personify realistic evil.  Shakespeare accomplishes this perfect personification of evil by bestowing Iago with the traits that lead to a state of amoralism and generalized evilness.  The real difference with Shakespeare’s writing is that the character Iago is not simply evil to the point that it is unrealistic but rather he has believable qualities that make him that way.  One such trait is how manipulative Iago is.  Another is his lack of moral boundaries.  Then there is how incredibly clever and deceptive Iago is.  Although not a trait, Iago’s inherent evilness cannot help but be built upon by his allowing himself to become overtaken and obsessed with jealousy.  Another reason that Iago is a great personification of evil is because he so closely resembles historical and other literary figures that are generally considered to be evil as well.

        The first and foremost quality of Iago that makes him so amoral would have to be his manipulative actions.  Iago is manipulative from the very beginning of the story starting with Act 1 scene 1in which he relates to Desdemona’s father what has been going on with Desdemona’s love life. In theat scene he uses such inflammatory language as “The old black ram is tupping your white ewe.”  to cause Brabantio  to hate The Moor.   In the very next scene, Iago shows his manipulative side again when he pretends that he is loyally on Othello’s side.  Iago also manipulates his friend Roderigo from the very start of the play, Roderigo tends to be very dull mentally and because of this Iago often exploits him.  In Act 1 Scene 3, Iago manipulates Roderigo by taking advantage of his emotional state.  Roderigo is crushed because he realizes that because she is married he cannot have Desdemona.  Iago takes advantage of the situation by encouraging Roderigo to “put money in thy purse” by this he means to sell his land and acquire wealth so that Roderigo can use it to win over Desdemona’s heart.  By itself it would not be very manipulative to give such advice, but Iago tells Roderigo that HE will personally deliver the gifts.  Iago, being the manipualative character that he is, embezzles the funds for his own benefit.  When Roderigo confronts Iago about stealing the money, Iago gives Roderigo a long speech and ultimately convinces Roderigo to kill Cassio.  He achieves this by making Roderigo believe that Cassio is trying to court Desdemona as well. The main conflict in this story is the ruining of the relationship between Othello and Desdemona.  The means by which Iago goes about achieving this is by  the manipulation of Othello.  Iago convinces Othello that Desdemona is unfaithful and ultimately leads to the dramatic Act 5 scene 2 in which Othello kills Desdemona.  Iago doesn’t simply tell Othello that Desdemona is unfaithful; he demonstrates his manipulative nature by stealing a handkerchief given to Desdemona by Othello.  He then gets Cassio to give the handkerchief to his lady-friend Bianca.  When Othello sees that Cassio has the gift that he had previously given Desdemona, it reaffirmed his belief that Desdemona was cheating on him.

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        The second quality that makes Iago into a realistically evil character is his lack of moral boundaries.  Iago is amoral in almost nearly all of his actions and intents.  Not once in the book does Iago question his own actions.  This leads one to believe that perhaps the Iago does not even possess a conscience.  There are no boundaries morally that Iago fears crossing.  Iago doesn’t even question his actions when he stole all of Roderigo’s money.  Iago crossed yet another moral boundary when he decided to take advantage of Cassio’s drinking problem and get him drunk in act 2 ...

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