In this essay, we will try to depict the position of women in the 19th century through the short stories we have studied. The Unexpected by Kate Chopin, News of the Engagement by Arnold Bennett, The Half Brothers by Elizabeth Gaskell and Tony Kytes, the A

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Anna Maarova

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Nineteenth century short stories

        In this essay, we will try to depict the position of women in the 19th century through the short stories we have studied. We will be comparing the different views and roles of women in The Unexpected by Kate Chopin, News of the Engagement by Arnold Bennett, The Half Brothers by Elizabeth Gaskell and Tony Kytes, the Arch-Deceiver by Thomas Hardy.

In those days, Victorian women had to get married in order to get taken care of by their husbands. They didn’t go to school, therefore had no education and could not get a job. If they did not get married and their family was not rich, they would most probably end up in squalor or prostitution

These four short stories could be divided into two main themes. In The Unexpected and in the News of Engagement, women want changes and the writers are trying to show that a woman can have a more important role in a society than that of a spouse and a mother. Whereas in the stories by Gaskell and Hardy, the authors portray typical feminin existence, without a life of their own, devoted to their family and entirely dependant on their husbands or fathers.

Kate Chopin and Arnold Bennett were both great admirers of Guy de Maupassant and we can perceive that strongly in their writing. They both dealt with the issues of woman rights and experience. The two stories we studied from them have both a “twist-in-a-tail” ending and make us reflect strongly on the position of women in the 19th century.

The Unexpected is a story of a man and a woman, engaged and deeply in love. When Randall has to leave for a while, their “parting is bitter” and the time during which Dorothea waits for him seems “torture” for her. We cannot doubt the depth and the sincerity of their love, making them an exception in their society where love and marriage are two separate things. However, Randall is delayed by illness and when he returns after a few months, his appearance is utterly changed. Even if prepared for this alteration, Dorothea is shocked by this “hideous [and] devilish transformation”, by his “waxy and hectic skin”, his “sunken eyes”, “dry and parched lips” and his “feverish and tainted” breath. Her love begins “shuddering, shrinking, shriveling” immediately. After a long consideration, she runs away and is determined to refuse to marry her fiancé.

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Her choice shocks us at first, and must have shocked even more in the 19th century. Her refusal to marry Randall because of his altered appearance may mean her love was superficial and only based on physical attraction. However, there can be seen a deeper reason for her refusal. She may have refused Randall because she did not want to marry him solely for his money (“Never, never! not for millions!”). She may not want to marry someone she doesn’t love. She is refusing financial security and a possible liberty, if Randall died and left her his legacy, for her ideal ...

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