Is Othello presented as a "Valiant General" or "Horribly stuffed with epithets of war" in Act one of Othello?

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Is Othello presented as a "Valiant General" or "Horribly stuffed with epithets of war" in Act one of Othello?

This question evokes a vast, confusing spectrum of answers because, of course, every character has their own unique opinion of Othello, as Shakespeare does not hesitate to bring to the attention of the audience in Act One of Othello. In the first act, we must consider what the other characters say about Othello but also the way he acts (especially towards Desdemona), the first insights into his nature, and his professional reputation.

 If one were to take the first opinions of the contemptible Iago for gospel, Othello is a pompous and conceited man who has shown nepotism in appointing Cassio as his Lieutenant, gravely misjudged Iago's "worth" and defied Venetian etiquette in marrying a white woman of high status. However, just as these judgements of Othello are firmly established in the psyche of the audience, Othello himself enters the scene. With this entrance every attempt to rubbish his integrity by Iago seems to be diminished by the distinguished way in which he conducts himself in matters both professional and personal.

Critical opinion of the character of Othello is also greatly varied. Critics such as F.R. Leavis state that "Othello's self-idealisation is shown as blindness and his nobility as the disguise of an obtuse and brutal egotism", whereas others such as A.C. Bradley believe Othello to be "entirely blameless", with his downfall attributed entirely to the Machiavellian Iago.

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One cannot deny that the first impressions given to the audience of the protagonist are tainted by Iago's hatred for him, however, they remain extremely important in establishing the first picture offered of Othello. Iago begins Act One Scene One by informing Roderigo, and in turn the audience of Othello's controversial marriage to Desdemona. Iago describes Othello as "Horribly stuffed with epithets of war", which immediately leads the audience to believe that Othello is arrogant, boastful, and brimming with exaggerated tales of his heroic battles. The fact that neither Iago nor Roderigo use Othello's name, and simply refer to him ...

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