Kiss Miss Carol Farrukh Dhondy

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Keerthika Sampat GSCE Literature Essay

Both the ‘Son’s Veto’ and ‘Kiss Miss Carol’ examine the relationship between a child and its parent. Compare what Thomas Hardy and Farrukh Dhondy have to say about that relationship and show how the situation in each story is typical of its period and setting.

‘Kiss Miss Carol’.

Farrukh Dhondy:

Farrukh Dhondy was born in 1944 in Bombay, India. After getting an engineering degree in Bombay he travelled to England. Here he achieved a BA and MA from the Cambridge and Leicester university. He became a full time author in 1980 before which he taught English in various schools in London.

         Most of his books were written for children, for example ‘East End at your feet’, and ‘Poona Company’. He went on to write plays for stage and television.

        In ‘‘Kiss Miss Carol’’ Dhondy shows the problems children from ethnic minorities that live in Britain have to face. The struggle for their identity; adapting to western ways while respecting their parents and maintaining their cultures.

Synopsis:

‘Kiss Miss Carol’ is the story of a young boy Jolil who comes from an eastern background and is living in a western society. When he is given the part of a cripple in his Christmas play he knows his father would disapprove as he would see the offer of the part as racism and prejudice. ‘Kiss Miss Carol’ follows the mental struggle Jolil must face in order to decide where his loyalties lie. In the east or the west?

This, like the ‘Son’s Veto’ is set in a different time era to our own. Even thought the time is more recent the family situation is still different. Set in East End London, Jolil’s story takes place at a time when the East End was known for its many ethnic minority residents. It was common for these families to live on a street with only other ethnic minorities and work, as the Miahs did, in a tailoring factory.

The Miah’s were originally from Bangladesh therefore their way of living differed to the locals of that era. The foreign families had a choice. Some families westernised their way of living. Others kept as strictly as possible to their eastern roots. Mr Miah was one of these families, living in the west but not letting his family become westernised. Mr Miah was brought up in a society where traditions were sacred and family the topmost priority and he didn’t want to change this. Mr Miah was strict in his ways.

“ When he got back <from work> he’d say his sunset prayers” even though it was long after sunset. He was not just strict in his religious practice but also in the way he ran the family.

      He read Jolil’s books “day after day.” Even though Jolil knew his father couldn’t read English very well “the pretence was kept up.”

Both of these activities were routine and not exactly practical.

Jolil has respect for his father. This respect is not necessarily something he has earned but Jolil feels he owes him. The respect for his father sometimes crosses into fear.

Mr Miah and Jolil may not have had an ideal relationship but the atmosphere at home is typical to what Mr Miah would have grown up in. A submissive mother, very much a background figure, and a patriarchal home. We can see that Mr Miah gets his patriarchal views from Bangladesh. In analysing the paragraph when Khalil is needed back in Bangladesh, tells us a lot about how the Miahs’ family works.

Jolil returned from school with the plan to bribe Khalil in his mind only to find that this may not be possible. The paragraph starts with Mr Miah firmly informing Khalil that he would ‘do exactly’ as he said. This shows a patriarchal and authoritarian relationship.  The next thing we notice is that Mr Miah is not usually home when Jolil gets home from school. Mr Miah also snaps at him and tell him to ‘go into the kitchen…’ when he inquires about why he is home so early. This again shows up his authoritarian ways. Jolil immediately did as he was told which shows he is submissive around his father. In the kitchen his mother is working silently listening to the argument between her son and her husband. This is traditional, the woman was not expected to interfere and true to her roots she doesn’t. Although she is a fairly shadowy figure all through the story her family do care for her. Jolil decides to lie about a racist attack by saying its raining and although he is lying to her he is doing so to spare her feeling.

          Khalil is fairly passive in this argument and does not talk back but this doesn’t mean he’s afraid as we can see that he was looking in the mirror combing his hair when his father was talking to him. This is care free action. Maybe this is because he realises, like Jolil, that no amount of arguing is going to change his father’s mind. Khalil’s plane ticket has been booked without consulting him and it is here we see how controlled their lives really are. At sixteen Khalil is expected to put his family first, pack his bags and travel all the way across to the other side of the world because he was made to.    

Jolil and Khalil are growing up in a world of duty and responsibility. The episode with Khalil makes it harder from Jolil to perform in the play and the departure of Khalil against his will makes Jolil feel even more guilty about wanting to perform. Mr Miah’s influence does rub off on his children though, for example when Khalil is sent away Jolil think that this happened because ‘God had punished him.’

 

Mr Miah’s role as an authoritarian is not unjustified. He simply treating Jolil and Khalil as he would have been treated. Mr Miah looks at himself and sees that he has managed to provide for his family well with his upbringing and therefore raises his children the same way in a hope they would end up as stable as him. This may not be the case all the time as we can see that Mr Miah is not as financially stable as he would hope, so maybe he is raising his children the only way he knows how. When we see how unhappy they sometimes feel we feel sorry for not only Khalil and Jolil but also Mr Miah as he has no immediate alternative. I think it is easy to miss the story from Mr Miah’s point of view. This is partly because the plot surrounds Jolil, but there are situations when we can see that the Miahs have more problems than just Jolil’s play. There is a part in the story when we see the more sensitive, more fatherly side of Mr Miah, ‘he looked worried and his eyes seemed to look beyond the wall he was staring at. “You’re a good boy,” he said’. This tells us that his world isn’t as good as he might have hoped and makes us feel sorry for Mr Miah.

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Jolil’s world is briefly described in various places. There is a paragraph of descriptive prose about his walk home from school. From this we can see that racism is something that his family have dealt with because of the advice dispensed to him from his brother and father.

  • ‘His brother Khalil said that when white people had something to do they didn’t notice you.
  • Once when he was walking home from school some young white men on a balcony had watched him and shouted bad things at him and one threw a bucket of soapy water from ...

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