La Belle Dame Sans Merci Analysis

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La Belle Dame Sans Merci

20th September 2008

        La Belle Dame Sans Merci is an allegorical poem that uses folklore and tradition to represent ideas about life and impending death. These two contrasting themes are represented with the use of nature as a moderator for the author’s imagery and diction throughout the twelve stanzas of the poem. We can relate the emotions conveyed by the young, dying knight to the author, who was also very young at the time and was dying of tuberculosis.

Stanzas 1 - 2

        Stanza one opens with an unknown persona in the 3rd person. This suggests an omnipresent, mysterious being that knows of the subject. The unknown person immediately addresses the subject as the ‘knight-at-arms’ who is ‘alone and palely loitering’. This unknown speaker is an ambiguous character; he could be a mere passer-by that asks the knight ‘what ail thee’ or maybe a voice inside the knight’s head encouraging the knight to pick himself up from a world ‘where no birds sing’. The author uses the environment to describe the state of the knight, for example, the withered sedge could symbolize the knight’s bad health.  The second stanza opens, repeating the first line in the first stanza. The second stanza then goes on to describe the knight as ‘haggard’ looking in a world where the ‘harvest’s done’. This incremental repetition shows a different perspective on the knight. The first description in stanza one suggests a whole world that is beyond repair, but the second stanza describes a world that has once been a good place to live in as the ‘squirrel’ has filled his granary. Could this voice describing the first two stanzas have made the subject realise that if the world was once great, then why can’t it be great again? Or could the ending harvest signify the end of the knight's life and happiness?  

Stanzas 3 - 6

        Stanza three opens with the 1st person, the poetic voice is now the knight himself. He ‘sees a lily on thy brow’, lilies are associated with death and this is what he foresees on ‘his brow’. Also on his brow are anguish and ‘fever-dew’, this could suggest that the knight-at-arms is angry at the fact that he is dying as he may be young, like the author, with a full life ahead of him. In that line is some consonance which makes an ‘s’ sound: as the ‘s’ sound is often linked with whispers and quietness, the knight may want to keep his ‘anguish moist’ secret because he is an honourable figure, a knight, that must not be seen angry at what is happening to him. He then sees a ‘fading rose’ on his cheeks, roses are associated with beauty and he sees himself fading away. The next line keeps this theme of flowers by saying that the rose, his beauty, is fast withering. The indefinite article is used to describe these two flowers: perhaps because he is not familiarised with these two symbols and they are not yet a feature of his person.

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        Stanza four continues in the first person when the knight meets a ‘lady in the meads’. He describes her as beautiful and has wild eyes. In previous stanzas, the use of nature is a physical describer but it is now being used as a metaphorical one. In stanza five, the lady he meets looks at him ‘as she did love and made sweet moan’. The ambiguity of the line could suggest rape or intercourse; the ‘sweet moan’ could imply sexual intercourse, or possibly a ‘sweet moan’ of happiness that she had found love. If it was intended to be rape, ...

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