Macbeth - What do you consider to be the most successful stage effects and language techniques used to create dramatic tension in Act 2, Scene 2?

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Macbeth – Assignment

What do you consider to be the most successful stage effects and language techniques used to create dramatic tension in Act 2, Scene 2?

Introduction

Macbeth is at first seen as a courageous soldier who is loyal to his King, he and the King have a close relationship, the King loves him almost like a son. So, why should he murder the man who thinks so fondly of him? I believe Macbeth to be an intelligent man but he is corrupted, by his own ambition, greed and by his wife Lady Macbeth. Lady Macbeth initially appears as a kind wife but we soon learn underneath lies a scheming and manipulative woman. We see Lady Macbeth take control of the situation as Macbeth’s weaknesses begin to unfold. Macbeth's character dramatically changes as this scene progresses as the realization of what he has done dawns on him, he becomes more and anxious and hysterical, everything troubles him;

‘Whence is that knocking? How is’t with me, when every noise appalls me?’

The scene begins with Lady Macbeth anxiously waiting for her husband’s return, tension is created because we are unable to see or hear Macbeth's actions. This is an example of Shakespeare’s skill with stagecraft. Lady Macbeth pretends to be in control of the situation when in actual fact she is far from in control. This is given away by her reaction to ‘An owl Shrieks’;

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‘ Hark, peace!

It was the owl that striek’d, the fatal bellman.

Which gives the stern’st good-night. He is about it.’

The sound of the owl is a simple but effective stage effect, creating tension. This is because the ‘owl shrieks’ symbolised the night watchman who would ring the bell outside the cells of prisoners condemned to death. A 16th century audience would have been recognised what Shakespeare meant, creating an image in people’s minds building up more suspense within the play. Lady Macbeth also says;

‘I heard the owl scream and the crickets cry’ ...

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