• Join over 1.2 million students every month
  • Accelerate your learning by 29%
  • Unlimited access from just £6.99 per month

Merchant Of Venice-Acting and Planning out Act 4 Scene 1

Extracts from this document...

Introduction

Nuisha Vasilieva 10M. -Merchant Of Venice-Acting and Planning out Act 4 Scene 1. We read and discussed the Merchant of Venice. Whilst doing so we focused on how the characters feel as they say their lines. We focussed mainly on the relationship between the Jews and the Christians at the time in Venice and their overall attitudes to each other. We tried to consider what one character felt about the other and so on and how this could be reflected in the ways the actor would act out the characters part. Our coursework task was to plan, direct and act out Act 4 Scene 1 in a small group of seven people. Our main aim was to make the audience feel what the characters were going through and understand them and the way they act at each stage of the play. I as Shylock tried to express his feelings towards the Christians and the hatred that he felt towards them. I tried to do this by making the audience feel differently about my character at different stages of the play. ...read more.

Middle

Despite all that, Shylock still stood tall and content with his bond by his side. We thought this would be a very major part of the stage setting as it shows how much the bond really means to Shylock, without it he has no chance whatsoever, with it he is above everybody and the law is on his side-he doesn't need anyone else's opinions. During the scene, I tried to obtain the audiences interest in Shylock. Right up until the breaking point where Portia says 'Tarry a little...' we had tried to portray Shylock as the villain of the scene and to portray Antonio as the victim. We did this by showing the audience amazing confidence in himself and trying to show Antonio as a very pathetic soul. This was achieved in many way. One of these ways was the way both characters spoke. When Shylock spoke to Antonio he was speaking down on him and didn't care what he said. Antonio spoke in a very small and distant voice as though he knew there was no mercy to be rendered and no hope whatsoever. ...read more.

Conclusion

Our stage was set out like a typical law court. At the front central [part of the stage we put the Duke's desk to show that he was the most importabnt figure present. We had Nerissa's desk on the lef thand side, with her sat making notes and Bassanio, Antonio and Gratiano all on her side. Portia was positioned without a desk or chair in the middle of the stage so she could freely move across the stage making various speeches and confronting different characters. Shylock was isolated on the right hand side of the stage, just him a chair and a desk with the weighing scales, the bond, a knife and a knife sharapener placed upon it. The front of the stage, there were two candles, one placed on the right hand side and one placed on the left. When the scene was finished Bassanio walks up and blows out the right handle to signify the defeat of Shylock and he keeps the candle on the left burning to signify Antonios success. Both Portia's and Shylock's entrances were made through the audience and the centre of the stage through the two candles to signify their importance. The minor characters entered and exited through the curtains. ...read more.

The above preview is unformatted text

This student written piece of work is one of many that can be found in our GCSE The Merchant of Venice section.

Found what you're looking for?

  • Start learning 29% faster today
  • 150,000+ documents available
  • Just £6.99 a month

Not the one? Search for your essay title...
  • Join over 1.2 million students every month
  • Accelerate your learning by 29%
  • Unlimited access from just £6.99 per month

See related essaysSee related essays

Related GCSE The Merchant of Venice essays

  1. Merchant Of Venice - How is Act 4 Scene 1 dramatically effective?

    The theme of justice may now seem as injustice, because Shylock has been forced to change his religion but he wants to stand up and be proud of what he is! The stage is a grand setting, and when we see the stage as a court, we know that it's

  2. Shakespeare's "The merchant of Venice". How can an audience's sympathies towards the characters ...

    The association the audience will have formed for Shylock by this scene will be one of dislike. Therefore when Shylock is defeated by the Christians the audience's views will change dramatically, adding a twist to the story and changing the focus of hate from Shylock to Antonio and the Christians,

  1. Analysis of Act IV scene 1, in three different versions of The Merchant Of ...

    When Shylock is about to cut Antonio he notices that he has a cross around his neck and so he pushes it over his shoulder demonstrating his dislike of Christianity. However, his attitude changes to one of shock when Portia stops him.

  2. Merchant of Venice- Scene by Scene summary & analysis

    He informs Gobbo that "Master Lancelot" is deceased. Gobbo is clearly upset by this, and Lancelot kneels down in front of him and asks his father for his blessing. Gobbo at first does not believe that Lancelot is really his son, but then he feels his head and recognizes him.

  1. Feelings and opinions concerning different characters from the play 'The Merchant of Venice'.

    His actions throughout the play make us err on the side of Jessica. Moving on a scene, in lines 284 - 290, Jessica talks about Shylock and 'his countrymen'. From her words we learn that Jessica no longer sees herself as a Jew.

  2. ACt 4 scene 1 of The Merchant Of Venice

    You may as well do anything most hard As seek to soften that-that which what's harder?- His Jewish heart. Shakespeare cleverly uses a metaphor here showing that Antonio portrays Shylock as something less than human because of his "Jewish

  1. How does Shakespeare portray character and relationships in Act 1 Scene 3 of 'The ...

    myth of Jason and the Golden Fleece to convey how great a prize she is (lines 165-72), "nothing undervalued / To Cato's daughter", perhaps he does mean this in a loving way as Cato's daughter was intelligent, loyal and loving.

  2. Direct Act 4 Scene 1 of Shakespeare's - 'The Merchant of Venice'

    Portia and Nerissa - still disguised as lawyers, persuade Bassanio and Gratiano to give away their rings as payment for saving Antonio's life. Everyone returns to Belmont triumphant and it is learned that Antonio's ships are all safe. After some light hearted argument.

  • Over 160,000 pieces
    of student written work
  • Annotated by
    experienced teachers
  • Ideas and feedback to
    improve your own work