Modern Drama - Talking Heads

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J. Lee                                                                          English Literature Coursework

Modern Drama – Talking Heads, Alan Bennett

Compare three characters from the dramas studied. What are the differences between how the character sees him/herself, how other characters in the drama see them and how we as an audience see them?

Talking Heads is a series of monologues written by Alan Bennett about mainly ordinary people in society. Alan Bennett was born and raised in Yorkshire and therefore the majority of his monologues refer to people living in areas that he is familiar with. These are mentioned several times and Talking Heads with regular appearances of places such as Ripon and Harrogate.

Monologues allow us to get a deep insight into just one person’s ways of thinking about the topics that are being discussed. They are, of course, very biased opinions expressed in the monologues, as each character will have his/her own feelings about the various topics that are discussed. These very descriptive monologues give us detailed insights into the minds of each character and allow us to gather together an idea of there state of minds and attitudes towards the current states of their lives and society.

In Talking Heads, there is great contrast in the ways in which the various characters think of each other, themselves and how we see them. In the majority of the monologues we often have a completely different opinion of the main character than what they think of themselves, often because they have made themselves believe that they are something which they are not and do not like to think of themselves as lonely or in need of help.

The first character that I will discuss in detail is that of Lesley in Her Big Chance.

Lesley is a mediocre actress who often ends up with the less desirable roles in the productions that she takes part in, however as she begins to tell us her stories of the current production she is working on, and past ones, we start to realise that she believes that she is much more respected and important than she probably really is.

In her current production, for release in Germany, she is playing the part of Travis, the wife of a man who is involved in organised crime. This role is probably quite a major one by her standards, as we learn that in the final scene she becomes quite an important character, killing her husband after finding out that he is involved with the illegal trade of drugs. The fact that Lesley plays any sort of instrumental role in the film is quite a step up for her, as earlier on she talks about taking the extremely small and unimportant background roles on many productions, despite making out that her character played a very significant role in the film. This is particularly apparent when she talks about her role in Tess, mentioning the way she was treated with a lot of seniority and given her own trailer with plenty of amenities.

Lesley displays this mass of self-confidence throughout the monologue. She seems to believe that she is a top professional, when really she is one of the last people to be chosen for roles. We find out that the only reason she has been given the role of Travis is because the preferred actress became pregnant and was therefore not suitable to play the role anymore. Lesley does her best to dumb this fact down though, and immediately begins to talk as if she is perfect for the part, saying that she can put herself right in Travis’ shoes and “become Travis”. This again shows her talking as if she is a true professional with full devotion to her job, proving just how much confidence she has of her abilities to act.

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The fact that the new film is being filmed for release in Germany and other smaller European countries shows that it is not a major production and we can therefore expect that the actors will all be quite low paid and not very popular, as all major productions tend to be released in English. Slowly, the fact that Lesley is actually quite a poor actress begins to unravel as new information slowly crops up in the monologue to show that she is really less and less important, despite her attempts to cheerfully cover it up.

The director of ...

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