The dramatic impact of appearances deceiving reality continues throughout the scene but also gives a war-like impression as having just returned from war before arriving in Messina, Claudio and Hero’s relationship echoes a battlefield as Don John’s simple deception threatens to destroy what they have. Claudio’s words also give the impression of an interrogation in this scene as he ruthlessly questions Heor and names her as a “savage” portraying how quickly he has changed from being so in love to feeling desperately angry and used, revealing to the audience his volatile nature and illustrating how this has helped aid the deception. His words “is this face Hero? Are our eyes our own?” lends credence to the idea of an interrogation and war-like atmosphere as Claudio questions what he knows “are our eyes our own?” revealing that he does not truly want to believe this but as Don John claims “they are spoken and these things are true” Claudio obviously feels he must accept that which has been given to him and as the audience sees through Don John’s deception, dramatic tension is increased. This dramatic scene is also highlighted by Hero’s lack of lines and action. Even as she is attacked by her love, she reveals an inner strength of belief in herself, later emphasised by her well-deserved redemptive marriage to Claudio.
Finally this scene is made dramatic through the use of irony as Claudio and Hero’s relationship is faced with an obstacle that threatens them while the audience knows the truth about Don John’s plot. This dramatic irony is emphasised as Don John accuses Hero of her crimes claiming he is “sorry for (her) much misgovernment” when actually he is responsible for the outcome and he knows the truth. Claudio also uses an imperative in the phrase “answer to this” illustrating Hero’s helplessness as the word “answer” demands the normally shy and respectful Hero to speak for herself, ironically, even though Claudio wanted to marry her for her modesty and quiet appearance, he now wants her to either accept or deny his claim both going against her nature. This dramatic irony is also emphasised by how public the accusation was and where it took place as their public relationship seemingly concludes, although not entirely as the audience is aware of the comedic ending resolution. Adding to this dramatic irony is also the fact that Claudio claimed Hero was not a “maid” in a church, a place of God which eventually pushes Hero to the edge and she “swoons”.
This scene is made dramatic as Hero and Claudio’s relationship is faced with a war-like attack and revealed to be based on the images they have been given, ironically as the audience knows what has transpired and thus creating a dramatic yet sombre mood.
Careful, insightful, detailed analysis, fully focussed on question.
-needs to keep sentences shorter and clearer
-who else is watching / listening?
-try to link discussion briefly, to more events occurring later on.
Top Band 2.