Much Ado About Nothing: The Deception of Benedick in Act 2 Scene 3

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Much Ado About Nothing:

The Deception of Benedick in Act 2 Scene 3

Deception plays a fundamental role in Much Ado About Nothing because it is one of the elements of laughter in it. It normally originates from Don Jon the bastard brother of Don Pedro, who wants to be the Prince causing havoc to Don Pedro and his friends. However this deception doesn’t originate from Don Jon’s malevolence, but from Don Pedro, Claudio and Leonato, as they try and deceive Beatrice and Benedick that the other is madly in love with them. Don Pedro came up with the plan at the masked ball” I will in the interim undertake one of Hercules labour which is to bring Signor Benefice and the lady Beatrice into a mountain of affection”, to amuse himself until his friends Hero’s and Claudio’s marriage begins. However this deception will not be an easy task as the two seem to loathe each other at the beginning of the play. Leonato describes that they have a “merry war”, using an oxymoron as they argue constantly but enjoy it, especially when they have a “Skirmish of wit”.

The plot is hatched in the gardens, to lure Benedick to hearing their false private conversion. This leaves him unexpected to seeing their errors or enjoyment later in the play, making it easier to draw him in. As it is set in the garden it is fundamental the audience see Benedick as well as the others. This will enable the audience to see the reaction of Benedick as he hears Leonato, Don Pedro and Claudio conversion, if he is in full view of the audience at all times.

In Benedick’s opening soliloquy, he starts talking about the idiocy of men, who have fallen in love, stating about Claudio and his disappointment in him. Benedick thinks the antithesis will happen to him but ironically he admits to being in love by the end of the scene. He complains that Claudio has changed, ‘I would have known when there was no music with him but the drum and the fife, and now had he rather hear the tabor and the pipe’, implying, he is becoming more feminine and insinuating that Claudio has changed to listening to elegant music rather than the sound of war (drum and the fife). Benedick obviously disprove of Claudio falling in love with Hero. He continues by implicating the changes of Claudio, causing him to wonders if it will ever happen to him, ‘May I be so converted and see with these eyes’ (rhetorical question).Benedick then refers to his ideal woman setting his standards too high that no woman could match it, “wise mild, and fair”. This is ironic as he refers mostly to Beatrice except she isn’t mild. However he probably wants a woman who isn’t mild as he enjoys his “Skirmish of wit” with Beatrice. After setting the standard too high he ends with a mild joke, ‘and her hair shall be the colour it pleases God’, implying the ridiculousness of his standards. The audience later see Claudio and the others approaching as Benedick finishes his soliloquy. Benedick refers to Claudio as ‘Monsieur Love’, an epithet of sarcasm. He then hides due to their obsession of talking about love.

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The stage directions are important enhance the effects of the deception. As this scene is set in the garden I would direct Don Pedro, Leonato and Claudio to come out from the front of the stage (from the house) through the audience to the main fountain, where Balthasar will be sitting down on a bench next to it. There will also be small pond and a lotus tree concealed by bushes where Benedick will be, right of the stage. Benedick will hide behind the bushes and hear the song.

 As they walk towards the fountain, lines 32-34 should be whispered ...

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