New York, 1955, sets the scene for the dramatic tale of 'A view from a bridge.'

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A View from a Bridge

New York, 1955, sets the scene for the dramatic tale of ‘A view from a bridge.’ It tells the tale of a poverty stricken family living in the shadows of the city. Eddie the figurehead is an emotionally torn man; his loving but forgotten wife Beatrice has lost importance to his young, attractive ward and niece Catherine unwittingly causes tension within his character. An overprotective fatherly figure he to let Catherine grow up; the problem escalates when they agree to take two illegal immigrants (‘submarines’) seeking work from Italy (Beatrice’s cousins Marco and Rodolpho), as Catherine and Rodolpho fall in love. This love- confused tale leads to a tragic conclusion, that before would never be contemplated by this typical American family.

   Act two starts with the lawyer Alfieri, who sets the scene like a narrator; a Greek chorus. By starting the scene he is emphasizing his logical and moralistic presence in the play. From the outset the fatalistic nature of the “awesomeness of a passion” is highlighted and as he catalogues Eddies’ frustrations obsessions, and how he is in a confused state of mind. For the start of this scene I think there should be a raised part of the stage to the side. The raised platform would be in effect his office, which for the majority if the play would be darkness, symbolic of Eddie’s inability to understand himself:- his tragic flaw. As the light comes up it would just be on that area of the stage, this would focus audience on him and she is separate from the main storyline and although morally and pragmatically correct what he represents is nevertheless too great a distance away: something the bullish Eddie can see, but not comprehend, enough to ‘bridge’ the gap. By having the paint effect of books and being a small, dark area also makes the room claustrophobic. Alfieri should be sat in a large, tall armchair his body in darkness this gives a sense of fear and doom to the play; this also gives the play the sense of the unknown. Each time he speaks the light could fade further, emphasizing the dwindling hope.

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   Catherine is in white, representing her ‘Madonna type’ being innocent, pure and worshiped by Eddie. Rodolpho should be in jeans and shirt, so well presented in contrast with Eddie’s drunken appearance. All costumes are emphasizing the families’ ongoing poverty.

   Light rises on Catherine and Rodolpho in the main stage in an apartment set up which remains for the entirety of the play. When Catherine questions Rodolpho, it is a powerful part of the play a sit expresses or questions her trust in Rodolpho. In asking “Suppose I wanted to live in Italy,” I would employ a red ...

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