Othello, like all of Shakespeare's plays, is complex and subtly nuanced.

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Othello

Othello, like all of Shakespeare's plays, is complex and subtly nuanced. Through its complexities and subtleties, Shakespeare makes us care about the characters and people in this story by using the power of language. We understand their weaknesses and their strengths, their passions and their nobility. In our engagement in their lives and our pondering over what has gone wrong and why, we are given the opportunity to analyse human life both in the abstract and in the particular of our own lives.
Othello has particular gifts to offer to teenagers. It is a play about passion and reason. Intense feelings are exhibited here: love, hate, jealousy, envy, even lust. Teenagers struggling with their own passions can empathize with both Rodrigo’s and Othello's plight. It is also a play that examines, as do Shakespeare's other works, human relationships and interactions.

A prime example of the way Shakespeare shapes his words around the audience through the character can be seen in Othello, by Othello.

For all that Othello is set in a "masculine”, military world it is the language which dominates the play rather than actions. Language defines character, revealing Othello as the eloquent outsider who descends into madness through the breakdown of his language and Iago as Janus. Moreover it reveals that appearance isn't always the same as reality...

The eloquence of the play is characterised by Othello's language. His eloquence in the opening Act contrasts sharply with the short sentences of the other characters. He claims that "Rude am I in my speech/And little blessed with the soft phrase of peace" but this is recognised by the audience to be modesty. The audience is not alone in noting the beauty of Othello's language with the Duke stating that Othello's "tale would win" his daughter as well. Indeed the quality of Othello's language has been labelled as "Othello music" by one critic and if it is worthy of such a label it is in the opening Act. For Othello the "tented field" is something characterised by romanticism and heroism. He talks of "Rough quarries, rocks and hills whose heads touch heaven" mixing the military world with imagery of heaven. Equally Desdemona is the "fair warrior" and his "captain's captain". This shows how he not only considers Desdemona to be his equal but how he has moved his affection and preoccupation with his career on to Desdemona. The audience knows that in terms of idealism, they are separated from the more brutal world but, crucially, Othello doesn't. For him the world is one coloured, like his language, with extremes. Extremes of perfection, extremes of evil. There is no room for shades of grey in such a world and this is why he is able to dramatically state "my life upon her faith" without realising the implication of such a statement. Equally, he can talk of "my soul's joy" and can state, "If it were now to die/ 'Twere now to be most happy".

When the breakdown of Othello's language occurs, it is as dramatic as his former eloquence. Again the dramatic nature of his language is shown in his comment of "Tis the plague of great ones". He may swear by "heaven" to know "thy thoughts" and then talk of the "monster" in them, demanding proof but he is unable to recognise that he is jealous, ironically stating "Think'st thou I'd make a life of jealousy". During his conversation with Iago in Act 3 Scene 3, he talks as if he is addressing a captive audience and yet there is only him and Iago present, and then just himself. For Othello his language is shaped by his life experience. Every aspect of it is elevated, powerful, as if he is telling one of his stories, which he previously told Desdemona. This leads to his dramatic "farewell" speech:

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Farewell the tranquil mind, farewell content!\ Farewell the plumed troops and the big wars\ That makes ambition virtue...\ Farewell: Othello's occupation gone".

From this point in the play, it is indeed farewell: farewell to the "Pride, pomp and circumstance of glorious war" in Othello's language; farewell to heaven which is now made of "marble" and farewell to his "music”. Earlier in the play, Othello ironically states "when I love thee not/ Chaos is come again". As Othello's love is so absolute it is unsurprising that when he no longer loves Desdemona the chaos, in both his life and language, is ...

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