Othello Summary.

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Summary

Act I, scene i

In following him I follow but myself;

Heaven is my judge, not I for love and duty,

But seeming so for my peculiar end.

   

 Othello begins on a street in Venice, in the midst of an argument between Roderigo and Iago. The rich Roderigo has been paying Iago to help him in his suit to Desdemona, but he has seen no progress, and he has just learned that Desdemona has married Othello, a general whom Iago serves as ensign. Iago reassures Roderigo that he hates Othello. Chief among Iago's reasons for this hatred is Othello's recent promotion of Michael Cassio to the post of lieutenant. In spite of Iago's service in battle and the recommendation of three "great ones" of the city, Othello chose to give the position to a man with no experience leading men in battle. As he waits for an opportunity to further his own self-interest, Iago only pretends to serve Othello.

Iago advises Roderigo to spoil some of Othello's pleasure in his marriage by rousing Desdemona's family against the general. The two men come to the street outside the house of Desdemona's father, Brabanzio, and cry out that he has been robbed by "thieves." Brabanzio, who is a Venetian senator, comes to the window. At first, he doesn't believe what he hears, because he has told Roderigo to stay away from his daughter before and thinks Roderigo is merely scheming once again in order to see Desdemona. Iago speaks in inflammatory terms, vulgarly telling the senator that his daughter and Othello are having sex by saying that they are "making the beast with two backs" (I.i.118). Brabanzio begins to take what he hears seriously and decides to search for his daughter. Seeing the success of his plan, Iago leaves Roderigo alone and goes to attend on Othello. Like Brabanzio, Othello has no idea of Iago's role in Roderigo's accusations. As Iago departs, Brabanzio comes out of his house, furious that his daughter has l

eft him. Declaring that his daughter has been stolen from him by magic "charms," Brabanzio and his men follow Roderigo to Othello.

Act I, scene ii

 Iago arrives at Othello's lodgings, where he warns the general that Brabanzio will not hesitate to attempt to force a divorce between Othello and Desdemona. Othello sees a party of men approaching, and Iago, thinking that Brabanzio and his followers have arrived, counsels Othello to retreat indoors. Othello stands his ground, but the party turns out to be Cassio and officers from the Venetian court. They bring Othello the message that he is wanted by the Duke of Venice about a matter concerning Cyprus, an island in the Mediterranean Sea controlled by Venice. As Cassio and his men prepare to leave, Iago mentions that Othello is married, but before he can say any more, Brabanzio, Roderigo, and Brabanzio's men arrive to accost Othello. Brabanzio orders his men to attack and subdue Othello. A struggle between Brabanzio's and Othello's followers seems imminent, but Othello brings the confrontation to a halt by calmly and authoritatively telling both sides to put up their swords. Hearing that the duke has summone

d Othello to the court, Brabanzio decides to bring his cause before the duke himself.

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Analysis

 The action of the first scene heightens the audience's anticipation of Othello's first appearance. We learn Iago's name in the second line of the play and Roderigo's soon afterward, but Othello is not once mentioned by his name. Rather, he is ambiguously referred to as "he" and "him." He is also called "the Moor" (I.i.57), "the thick-lips "(I.i.66), and "a Barbary horse" (I.i.113)—all names signifying that he is dark-skinned.

 Iago plays on the senator's fears, making him imagine a barbarous and threatening Moor, or native of Africa, whose bestial sexual appetite has turned him into a ...

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