Poems by John Betjeman

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Jamie Lau                                                                13 December 2004

Poems by John Betjeman

        John Betjeman writes interesting and contrasting poems, most of which are very personal and a recollection of his past. He is a vivid poet and never fails to set his scenes well. He always includes as much detail as possible and his poems are oozing with creative writing.

‘Indoor games Near Newbury’ is about a boy, maybe himself, going to a party and meeting a young beautiful girl. Betjeman conveys a rich surrounding and on entering the house, it has many wealthy attributes, ‘Winding ways of tarmac, gabled lodges and tile-hung churches’. Also, there are motorcars, ‘Hupmobile, Delage’, but on top of this, posh places for them as well, ‘private gravel, warm garage’. The atmosphere is cheerful and a time for ‘Christmas cake’ and the children are playing ‘hide and seek’. When he meets Wendy, it’s love at first sight and when Betjeman says ‘you led me off’, it gives you a feeling as though Wendy is an angel lifting him off his feet. Another example is when he describes him sleeping as Wendy ‘holds him as he drifts to dreamland’ like a Christmas angel guiding him through troubled times. Once he meets Wendy, everything seems to turn into fantasy, ‘Fairies, pinewood elf and larch tree gnome’, which shows his childlike mind. However, the whole poem changes its feel after you read the last phrase, ‘slumber-wear’. This gives the poem a very strange quality, knowing that the boy is still very young and already up to no good. The uncle also adds to this effect by asking them to ‘fox-trot’ giving the reader the illusion that maybe the children are older. This poem is very ambiguous because on the surface it seems very innocent but underneath the surface, there is a strange double meaning to it.

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The poem ‘Devonshire Street’ tells a very different story of an old couple visiting a doctor and having the realisation that death is close by. It is a very rich place with a ‘heavy mahogany door.’ When Betjeman says ‘no hope’ at the beginning of the 2nd paragraph, it really shows the way the story is about to unfold. Everything after these two words are spoken seems to make the situation worse and worse. After the doctor ‘confirms the message’, the man looks out of the window and sees ‘a brick built house, lofty and calm.’ The contrast between the ...

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