"Porphyria's Lover" and "The Laboratory"

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Natalie Kinsella 11T

“Porphyria’s Lover” and “The Laboratory” both deal with crimes of passion.  Explore ways Browning explains ways of obsessive nature of his character and analysis the effects of literary techniques.

“Porphyria’s Lover” is a poem about a crime and passion.  Porphyria is a young, wealthy girl who seems to have abandoned her family’s tradition of choosing wealthy men as lovers. Her lover remains anonymous, this could be because he has murdered her and does not want his name releasing. There is no actual reference as to why he committed this crime we can only make suggestions. Perhaps it was because she would not forsake her affluent companions for him, or because he felt she did not share his love for her. This poem is in the lover’s point of view only, so we can not really know how Porphyria is feeling, we can only guess from her body language and her actions mentioned and her actions. It is a Victorian poem and Browning uses sexual references, which is very unusual because sex was a taboo and was not discussed openly in Victorian times.

  At the beginning of the poem, there is a storm brewing which is mirroring the lover’s feelings. He is angry at Porphyria and desperately wants her love

   

 “The sullen wind was soon awake,

      It tore the elm tops down for spite,”

The wind has been personified which is particularly effective because it heightens the anger the lover is feeling and soon realises this. Browning cleverly set's the scene by using strong word such as "sullen", "tore" and "vex". Already we can see that this man, the lover, desperately craves the love of Porphyria, and leads us to question why he is so angry and what happened previous to this as to make him so angry.  But enters Porphyria gliding as though the world stops, the way she moves is almost serene as well as graceful. All these actions seem to be building up to something, as though trouble lurks in every corner. When she entered she shut out the miserable weather with her

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   “She shut the cold out and the storm”

This is particularly effective because Browning uses monosyllables to enforce its meaning; it is as though as soon as Porphyria enters nothing now matters. She wants to communicate with her lover; she is trying to gain his attention by flirting and teasing him. Browning uses contrasts of colours “cheerless grate Blaze up” this is predominantly effective because it also personifies the grate. Porphyria realises she is failing to attain his attention and so begins to remove outer garments. This is seductive and erotic; the attire she is wearing is ...

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