Pre-1914 Prose Study - "Wuthering Heights" by Emily Brontë. To what extent is Heathcliff a Gothic hero?

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Pre-1914 Prose Study – “Wuthering Heights” by Emily Brontë 

To what extent is Heathcliff a Gothic hero?

        Gothic genre is style of fiction characterised by the use of desolate or remote settings and macabre, mysterious or violent incidents. It is designed to both horrify and fascinate readers with scenes of passion and cruelty with the supernatural elements and a dark and foreboding atmosphere. This new and fearful genre grew during the last decades of the eighteenth century which was a new and fearful time with the rise of Romanticism in European culture. The phantom of social revolution is manifest in the supernatural “spectre” of the gothic where a crumbling way of life emerges as a haunted manor and the loss of English identity becomes the gothic hero’s or heroine’s search for identity. The constitutions of a gothic novel includes an oppressive and cruel chief character whose evil characteristics and diabolical personality appeal to ones sense of owe, the melodramatic aspects of romance or more specifically in the gothic motive of a persecuted maiden forced apart from a true love.

        

The Gothic was not just associated with literature but it is also a very famous style of architecture. In Europe, all types of buildings were constructed on the ancient architectural designs of the medieval period. Therefore, we find cathedrals such as the Notre Dam cathedral in Paris or the Palace of Westminster heavily decorated with monstrous gargoyles and constructed using flying buttresses.

The novel “Wuthering Heights” is based on the gothic tradition of the late eighteenth century. It has a style of Literature that featured supernatural encounters, moonless nights and grotesque imagery seeking to create effects of mystery and fear. The setting and the characters of the novel are influenced by the author Emily Brontë’s life. She was born in a bleak moorland village near Bradford which hints us why she portrays the nature of the Yorkshire moors as “bleak” and “stormy”. Elizabeth Imlay, a Gothic critic mentions, “she exploited the wildness, gloom and other worldiness which had characterised her earlier Gondal poems (Gondal was her ‘strange childhood realm’) such as ‘The Visionary’ ”.

In the novel, when Hindley’s wife Frances dies he becomes a severe alcoholic just in the same way as Emily’s brother had become a habitual drunkard when he lost his post of a private tutor for having an affair with his employer’s wife. Emily’s sisters, Maria and Elizabeth both died of tuberculosis and this led her to make the reason of Frances’death the same disease. The Brontë sisters had been very interested in reading the poems and stories of haunting and unexplained phenomena and this is reflected in the context of Emily’s novel where the character Catherine haunts the tyrannical protagonist Heathcliff.

 

Interestingly, in a typical gothic novel, the protagonist has an element of darkness to it alongside a demonic personality and is impelled by human cruelty. The Monk by Matthew G Lewis is another Gothic novel and the gothic hero (Montoni) is a powerful and merciless character who the author had  “many and bitter enemies, but the rancour of their hatred proved the degree of his power, and as power was his chief aim, he glorified more in such hatred than it was possible he could in being esteemed”.

In “Wuthering Heights”, this is no exception. Heathcliff, the chief character, is portrayed as a “dark-skinned gypsy”, a “fierce, pitiless, wolfish man” and “as dark as if it came from the devil”. Brontë’s use of descriptive language using dark and gloomy images when portraying Heathcliff’s character creates a threatening impression of him in the reader’s mind.   Examples of his most destructive and satanic actions include the mistreatment of women. Firstly, he rejects and mistreats his wife Isabella - he verbally attacks her and doesn’t allow her to leave the house with the intention of taking revenge from her brother who stole his soul-mate Catherine from him. He also emphasises that he sees his plan for revenge as perfectly justified because he clarifies, “It is a moral teething, and I grind with greater energy, in proportion to the increase of pain”.

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He also imprisons Cathy and makes her forcefully marry his dying son Linton so he could inherit the ownership of the Grange where the Lintons had lived. The intensity of his hatred identifies his purpose of absolute revenge when he expresses, “Had I been born where the laws are less strict, and tastes less dainty, I should treat myself to a slow vivisection of those two”. Above all his sadistic deeds is digging up Catherine’s grave that shows his determination to be with her in death as the unmarried Catherine had promised him, “I won’t rest till you are ...

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