Priestly ends each act on a note of high drama. Write about the way he builds tension towards the end of each act, describe how he leaves the audience plenty to think about during the intervals and after the play has finished

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Priestly ends each act on a note of high drama. Write about the way he builds tension towards the end of each act, describe how he leaves the audience plenty to think about during the intervals and after the play has finished

Priestly has an ability to build up tension towards the end of acts. A typical example would be at the end of act one. The biggest tension build would be after Shelia’s interrogation, when the Inspector mentions that Eva smith changed her name to Daisy Renton. The inspector leaves Shelia and Gerald to talk. After Gerald had admitted to Shelia about his affair, the tension in that act reaches its peak when the inspector enters the room and asks “well?” this is a dramatic device used by Priestly, which heightens the mystery surrounding the inspector. It’s almost like the Inspector knew what Shelia and Gerald were arguing about and he is saying well, are you done? Before this when the inspector enters, the stage directions state that the inspector looks steadily and searchingly at them, this is as if the inspector is waiting for Sheila and Gerald to explain themselves, there was probably a short uncomfortable stillness before the inspector says “well?” I think that once the inspector had mentioned to the Birling’s about Daisy Renton, Priestly then ingeniously makes the inspector leave after revealing this to them. The stage directions instruct that the inspector should look from Shelia to Gerald and then leaves the room. This is a very clever device used by Priestly, it gives the intuition that the Inspector knows what is about to take place between Sheila and Gerald and exists the room at the right moment. The end of act one is linked with act two; there are no separate scenes. Priestly might have used this to make the play flow easier and also to build up the tension, tension could have been easily lost if the scenes were separate; therefore it makes the play more effective. Priestly has created a very compact structure to play; nothing is allowed to divert the audience from the innermost theme of the play.

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Act two is continued from act one when the inspector says “well” the stage directions say that the inspector remains at the door for few moments looking at Sheila and Gerald, he then comes forward and repeats “well?” Again, the awkward silence heightens the tension, and the tension in this reaches its summit when Eric enters, after in interrogation of Gerald and Mrs Birling. I think that Priestly ends Act two intensely. By the end the Birling have now realised that Eric fathered Eva Smith’s baby and they wait for Eric’s return. The stage directions have a lot of dramatic ...

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