'Romeo and Juliet' was first performed in the globe theatre in 1595. The play juxtaposes two opposite genres- the undying love of Romeo and Juliet and the 'ancient grudge' held with the Capulet and Mountague families.

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ADRIAN BLISS 10S ENGLISH MRS THOMPSON

Romeo and Juliet Coursework

William Shakespeare’s infamous, tragic play, ‘Romeo and Juliet’ was first performed in the globe theatre in 1595. The play juxtaposes two opposite genres- the undying love of Romeo and Juliet and the ‘ancient grudge’ held with the Capulet and Mountague families. In this essay I will discuss the pivotal scenes of violence in the play.

‘Romeo and Juliet’ was written in and set in the sixteenth century, Queen Elizabeth I ruled England at this time and the Elizabethan audience would have enjoyed sports like cock fighting, bear baiting and wrestling. Shakespeare needed to meet his audience’s needs as he needed money; play writing was his lively hood. The Elizabethan audience would have enjoyed this as it involves a share of love, violence and fate, which was a belief of the citizens at this time.

  The first violent scene commences with a confrontation of servants of the families ‘both alike in dignity’. This displays the depth of the ‘ancient grudge’ as even the servants feel obliged to defend their employers. Starting merely with a ‘bite of the thumb’ a riot begins. The prince arrives, disgusted with the actions and places a threat on both families that ‘if ever you disturb the streets again, your lives shall pay the forfeit of the peace.’ This is significant in the play as now the audience realise if a character carries on the feud they will be executed. Although the warning is placed the audience recognises the depth of the feud and realise many characters have no restraint over their actions so they anticipate more violence as the play proceeds further.

The second violent scene is act 3 scene 1. The scene begins with Benvolio and Mercutio conversing, a thought is placed in the audiences mind that if they do not leave soon there may be another fight.

‘The day is hot, the capels are abroad, and if we meet, we shall not ‘scape a brawl for now these hot days is the mad blood stirring.’

Tybalt and Petruchio enter the ‘public haunt of men’ and approaches Mercutio ‘gentleman, good den; a word with one of you’. He asks to speak, and following this he asks if they have seen Romeo, for he was upset that he gatecrashed the Capulet party the previous night.

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‘Mercutio, thou consortest with Romeo?’

When Romeo enters he departs from Mercutio.

‘Peace be with you sir, here comes my man.’

Tybalt then tries to provoke Romeo into a fight, but he reacts calmly, as he has just married Juliet. Tybalts cousin.

‘Boy this shall not excuse the injuries thou hast done me, therefore turn and draw.’

Again Romeo acts calmly, and to prove the strength of his conviction he submits to Tybalt.

‘And so good Capulet, which name I tender as dearly as my own, be satisfied.’

Mercutio is incensed with this ‘dishonourable vile submission’ and challenges Tybalt to ...

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