Romeo & Juliet

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How does Shakespeare make 1:5 dramatically effective and bring out the beauty and romance of the occasion?

The play Romeo and Juliet was written in 1595 by the famous playwright William Shakespeare. Shakespeare interpreted the play from a poem, originally translated from Italian by Arthur Brooke called “Tragical History of Romeus and Juliet”, timelessly to create a piece of performed art that has lived on successfully into the modern day to be enjoyed by audiences all around the world. The story of the play tells of two feuding families the Capulets and the Montagues who have a passionate hatred for one another due to tradition in their heritage; this is a fundamental theme of the play.

        The characters are split mainly between the two families due to their relationships to the main characters Romeo and Juliet; Juliet to the Capulet family and Romeo to the Montague family. Featured characters that are integral to the main plotline are: Tybalt, Mercutio, Friar Lawrence, Nurse, Benvolio, Capulet, Lady Capulet, Balthasar and obviously Romeo and Juliet. There are many other characters that are involved in my selected scene and the rest of the play such as the clown who gives away the time and place of the party to the Montagues and the Apothecary who gives Romeo the poison that takes his life.

        Within this piece of coursework I am concentrating on the party scene, Act 1 Scene 5; this is where the union of Romeo and Juliet takes place and the characters are shown to us in their every light. The themes of the play are very much brought to life by this scene in particular where we see love and hatred and light and dark between all the characters due to the language and setting. We see the character of Capulet come to life, the hotheadedness of Tybalt and the love between Romeo and Juliet; this makes an extremely engaging plotline to engage the audience. The theme of identity and the link between identity and rules and expectations is central to the play. The main characters are forbidden to have relationships with one another because of their identities, and so it is ironic that they should first meet at a masked ball, the scene I am studying, where no identities are shown. It is an extremely exhilarating and dramatically effective scene, addressing the two “star-cross’d lovers” head-on, filled with exciting occurrences from beginning to end.

        Capulet makes a huge effect in 1:5 due to his character at the opening of the scene. There is a vast contrast between the previous times we saw Capulet to how he is in the party scene as he is incredibly welcoming, jovial and wants his masked ball to be the best party ever seen:

        

        “Welcome, gentlemen”

This clearly shows his mood and feelings at the beginning of the scene as cheerful and very enthusiastic. His opening speech begins the lively feel of the party to life for the audience; this involves the audience because the mood of the play reflects upon their feel for the scene. The understanding of the scene is increased by how Capulet speaks about and to his guests therefore making the scene enjoyable and interactive. Within the character of Capulet there is dramatic effect also because the audience expect to be completely different from their last view of him; this intrigues them and, again, involves them more and more.

        The scene comes alive when Romeo first sees Juliet with romantic language and imagery. We see the character of Romeo fall deeply in love in an instant and describe Juliet beautifully:

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        “Oh she doth teach the torches to burn bright!”

This adds to the beauty of this particular part of the scene. The phrase reveals how Romeo is feeling and the angelic brightness of Juliet compared to the dark atmosphere of the rest of the room in Romeo’s eyes. It means that in contrast to everyone else Juliet is brighter and more beautiful. Romeo’s love for Juliet is expressed by using incredible light holy and white imagery:

        “…snowy dove….

        Make blessed my rude hand…”

This gives the audience a sense of purity and preciousness; there is a ...

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