Shakespeare and Witchcraft.

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Jennifer Hornsby 11:2

Shakespeare and Witchcraft.

The first scene of “Macbeth” is very short and abrupt, but is a very important scene. It is set in a desolate place, and in very bad weather “ Thunder and lightning”. This helps to set the atmosphere of evil and of the supernatural, because bad weather is connected with witches and evil.

The first two lines of the scene already show the fondness of the Weird Sisters for bad weather, and its relevance to the witches. They then go on to say “when the hurly- burlys done

When the battles lost or won”.

This is because the battle between the Scottish and Norwegians is raging in the background. The turbulent weather echoes this turmoil, and hints at the chaos to come.

        They then arrange to meet on the heath. A heath is very much like a wilderness so, again, the witches have been connected to a desolate place.

        “There to meet with Macbeth” The witches refer to Macbeth before the audience have seen him so Macbeth is singled out by the witches because there is something about him they recognise. They arrange to meet him in a desolate place, again suggesting the supernatural’s influence.

        Shakespeare then adds another example of the witches’ connections with the Devil.

                “I come, Graymalkin”

                “Paddock calls”

        These are both familiars, which are creatures, like an animal or bird, given to the witches, by the Devil. In return for this, he would suck the witches’ blood, leaving the Devils’ mark. The audience would have known this so seeing this it would reinforce their credibility.

        The scene finishes with the witches leaving saying

                “Fair is foul, and foul is fair

                Hover through the fog and filthy air”.

        Again, this shows the disturbances in the natural world, unnatural acts are occurring. “Hover through the fog and filthy air”, describes the witches ability to fly. “Fair is foul, and foul is fair” shows that to the witches, what is good to normal people is bad to them and what is bad to normal people is good to them.

        Most of this scene is said in rhyme which is demonstrating the witches’ ability to cast spells as spells are said in rhyme.

        So this first scene shows how the natural world is turned upside down by the witches and emphasises their ability to control weather. Most importantly, they recognise Macbeth and are going to intentionally meet him. This scene introduces the powers of darkness and the super natural to the play.

        In Act 1 Scene 2 the captain tells of Macbeth’s bravery and courage fighting for his King, and he shows how loyal Macbeth is

“For brave Macbeth – well he deserves that name -”

 (Act 1 sc 2, line 16)

        Although facing overwhelming forces, Macbeth and Banquo rallied their troops and fought on savagely, and, finally, pushed the Norwegians back. This is an indication of Macbeth’s ability to lead men, showing how, when facing defeat, men would follow Macbeth. They trusted him with their lives, even the other Thanes.

        “Dismayed not this our captains, Macbeth and Banquo?

        Yes as sparrows, eagles, or the hare, the lion”

                                                        (Act 1 sc 2, lines 34-35)

        King Duncan is so impressed by Macbeth’s actions that he rewards him by giving him the title of Thane of Cowdor, having sentenced the treacherous Thane to death.

        This scene also gives an indication of Macbeth’s brutality, and his ability to kill with out compunction. The description of his exploits on the battlefield emphasises the savage violence of his fighting.

        “… nor bade farewell to him,

        Till he unseamed him from the nave to th’ chaps.

        And fixed his head upon the battlements.”

                                (Act 1 Scene 2, lines 21-23)

        Despite this, he is not considered a murderer, because, in battle, this brutality, this violence, is acceptable even admired, because it is in battle in defence of King and Country.

        Once again in Act 1 Scene 3 Shakespeare depicts the turbulent weather, thus helping to establish the witches’ credibility.

        The witches greeted each other and then they told of the ship, the “Tiger”. This was a real ship that was at sea for 567 days (7x9x9). The witches claimed to be responsible. This is Shakespeare’s powerful method of frighten the audience and emphasising the powers of the witches.

        The witches have shown the extent of their powers to the audience, although they can send the ship to sea for 567 days they cannot destroy it. They need people to do the killing for them, that is why they want to control Macbeth.

        When the witches meet Macbeth, they greet him as Thane of Glamis, Thane of Cowdor, and King “Hereafter”. This captures his imagination. He is puzzled and confused because he knows he is Thane of Glamis but not Thane of Cawdor. Ross then brings news of Macbeth’s reward for his actions in battle, that he is indeed Thane of Cawdor. The witches have ensnared him. Although Banquo has warned Macbeth that they are evil, Macbeth is not disgusted by what he sees. He actually wants to know more.

        The witches have now trapped Macbeth, as they touched on his weakness – ambition. Macbeth wants what the witches have told him to be true, but Banquo does not want to believe the witches, even though they said his children would be kings of the future.

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        All Macbeth’s thoughts of murdering Duncan he puts to the back of his mind and decides to leave it to chance until Duncan names Malcolm, Prince of Cumberland.

        Lady Macbeth is told of the witches’ predictions for Macbeth. Straight away, without hesitation, she is convinced that Macbeth will be King.

        “Glamis thou art, and Cawdor, and shalt be

        What thou art promised; yet do I fear thy nature,

        It is too full o’th’milk of human kindness

        To catch the nearest way.”        

                                                (Act 1 Scene 5, lines 13–16)

        She considers his nature, fearing that he is too decent ...

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