Shakespeare’s “Sonnet 116 and Donne’s “A Valediction: Forbidding Mourning”
Brian Slobodian
British Columbia Open University
Assignment #2
Student # 100056594
March 8, 2004
Love is a common theme in many poems written by 17th century authors. Shakespeare’s “Sonnet 116 and Donne’s “A Valediction: Forbidding Mourning” both speak of the highest form of love; eternal true love. Their use of figurative language and rhythm schemes helps to convey to the reader that such a love exists. However, while both believe and speak passionately about true love, only the speaker in Donne’s poem has experienced it, and therefore offers the reader hope for true and pure love. A summarization of both poems should help the reader understand this important difference.
In laying forth their arguments for the existence of eternal true love, the authors share two main similarities; the structure of their poems and its message. The rhyme scheme in Shakespeare’s “Sonnet 116” consists of the use of several end-rhymes and eye-rhymes in alternating lines. In lines 1, 3 and 5, 7 we find examples of end-rhymes “minds” “finds”, and “mark” “bark”. In lines 2, 4 and 13, 14 we find the use of eye-rhymes “love” “remove” and “proved” “loved’. Donne also utilizes end-rhymes and eye-rhymes in alternating lines throughout his poem. Lines 1 and 3 “away” and say”, and in lines 6 and 8 “move” and “love”. The use of these devices helps to establish the flow of the poem. We find in both poems several examples of alliteration and assonance. In “Sonnet 116” the speaker uses alliteration when saying “Let me not to the marriage of true minds.” In line 7 the speaker uses assonance and says “It is the star to every wandering bark”. Likewise in “A Valediction: Forbidding Mourning” the speaker uses both alliteration and assonances to establish the desired sound of the poem. In line 26 the speaker uses alliteration when saying “As stiff twin compasses are two”, and assonance in the last line of the poem, “And makes me end where I begun.”