Should the Barnardo's Silver Spoon advertisement campaign have been banned? A study of an advertising campaign and the ethical issues involved.

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Should the Barnardo’s Silver Spoon advertisement campaign have been banned? A study of an advertising campaign and the ethical issues involved.

Media influence refers to the impact of mass media, it has the ability to shape our society’s way of thinking and it has the power to send a strong and influential message to its audience. Advertising media is a form of communication whose purpose is to promote a particular product or service. The message that these adverts send off are not always positive so therefore, certain regulatory authorities are there to counteract this negative influence. In the UK, the content of advertisements are regulated by the ASA (Advertising Standards Authority) and they have the authority to ban any adverts that are harmful, misleading or offensive. In winter 2003, Barnardo’s launched their “Silver spoons” campaign against poverty but within three months, the campaign was banned.

Barnardo’s is a British Charity found by Thomas John Barnardo in 1866. Barnardo’s purpose is to care for the abused, the vulnerable, the forgotten and the neglected. They believe that every child deserves to be given an opportunity to fulfil their potential and live a worthwhile, blissful life. The purpose of Barnardo’s “Silver Spoon” campaign was to draw attention to child poverty and hopefully be able to raise a significant amount to eliminate child poverty. They used shocking images of new born babies, hoping to shock the target audience into donating to their charity. The reason Barnardo’s felt it was necessary to produce such controversial adverts was because of a poll they carried out, 86% of people questioned did not realise that one in three of the UK’s children are born into poverty. Barnardo’s felt that actions had to be taken to raise awareness of this fact. The advertisements feature a cockroach, a bottle of methylated spirit and a syringe protruding from the babies’ mouths. The babies in the first three adverts look distressed and alongside the images is text explaining the situation of child poverty in the UK.

One of the images features a new born baby named Mary, very yellow in colour; entirely covered in body fluid with a half empty syringe forced into her mouth. The yellowness of Mary’s skin indicates poor health and infirmity; perhaps she is not fed properly, not cared properly. The audience learn that this child is born in a hospital because of the hospital band tied onto its wrist. The fact that the baby is still covered in body fluid implies lack of care and nurture. The half empty syringe protruding from Mary’s mouth indicates that she has already been doomed to a life of drug abuse, immediately taking away the innocence of the child. Mary is crying shows that she does not want this to happen but “thanks to poverty” this is a future that has been predestined and she alone is powerless to change. The fact that the baby is in such a vulnerable position, clenching its fist with its arms placed by its side indicates that she is opened up and exposed to the horrors of poverty. The fact that Mary has tilted her head to the side crying reinforces the fact that she is weak and does not want to face the future poverty has destroyed.

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The main purpose of this shocking image is to trigger curiosity and “shock” the audience into reading the text alongside the image. The text is very skilful and contains a lot of underlying emotion. Through one small paragraph, we see the presence of numerous literary devices which makes the advert much more persuasive and effective. The headline “There are no silver spoons for children born into poverty” relies on the old English proverb “born with a silver spoon in your mouth” meaning to be born into a life of opportunity and prosperity, assuming the audience would know the meaning ...

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