Show how Priestley uses the Inspector as a dramatic device.

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An Inspector Calls

Show how Priestley uses the Inspector as a dramatic device.

        At the start of the play, we see a well-to-do family at dinner. The mood is quite relaxed, as they are chatting politely, yet informally. They are drinking alcohol liberally. They are wearing fashions of the period, and the men are wearing tails and white ties, not dinner jackets. The family are content, maybe as they have nothing to be anxious about and everything is going fine in their lives. They have no real worries. Business is doing well for Arthur Birling, and he is in line for a possible Knight-hood. Sheila has just got herself engaged to pleasant, affluent Gerald Croft, whose father is a ‘friendly rival’ in business with Arthur Birling. The family seem unified.

        Nobody is expecting a visit from an Inspector. Neither is anybody aware that each of them, in turn, has had connections with Eva Smith.

No one thinks their path crosses with Eva’s, but they are wrong. They’ve all met her, and made an impression on her life. They don’t know it, but they’re in for a surprise…        

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Surprise and shock continues throughout the play. The actual arrival of the Inspector is an initial shock. When he enters, he is extremely abrupt. He gets straight to the point and doesn’t hang around. He informs Birling that “two hours ago a young woman died in the Infirmary”. “Yes, yes. Horrid business. But I don’t understand why you should come here, Inspector ----“ says Birling. It is obvious he doesn’t care about the young woman who has just taken her own life, instead, he’s just apprehensive about why the Inspector’s visit concerns him. His lack of compassion and sympathy is ...

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