Sir arthur conan doyle atmosphere in hound of the baskervilles

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Laurence Jackson                                                      

How Does Sir Arthur Conan Doyle create atmosphere in chapter 6?

      In “the Hound of the Baskervilles”, Sir Arthur Conan Doyle describes the atmosphere in depth frequently; usually the atmosphere reflects the mood of the chapter. Also he cleverly uses the atmosphere to show a comparison between good and evil, for example in chapter 6, between the Devonshire Moors and Baskerville Hall. Sir Arthur Conan Doyle introduces atmosphere in key events throughout the book, this is used to provide suspense and set the tone.

     Sir Arthur Conan Doyle uses comparisons such as the lush countryside as opposed the gloomy moor to create an atmosphere and set the scene. As Sherlock Holmes, Dr Mortimer and Dr Watson travel through the county on the train the author describes the immediate changes. “Brown earth had become ruddy”, this is used to show how the earth had become fresher and red. This also shows that the Devonshire countryside is a good/safe place. “Lush grasses…luxuriant vegetation” is used to describe the richness and the quality of the Devonshire land. It also creates an image that Devonshire is safe as shows no evil, unlike Baskerville Hall. “Lush” and “luxuriant” are very descriptive words, and show the reader that everything is all right and creates a good, calm atmosphere.  As the reader can compare “lush grasses” to summer green fields, this sets a homely atmosphere. Young Baskerville shows the reader that the countryside is easy on the eyes, as it states, “Young Baskerville stared eagerly”, and gives the impression that he is ecstatic to be there. “Stared” shows he is admiring the scenery while “eagerly” puts emphasis on how he wants to see more and is keen to take everything in of the Devonshire countryside.

      As they travel through and beyond the countryside the mood of the passengers begin to change as Young Baskerville starts explaining “his fathers death”, this sets a depressive mood/atmosphere which is later matched up with the outside scenery. “His father” sets a chilling mood, as the readers know that his father carried a curse, also “death” sets a depressing mood and reminds everyone of the case and takes them away from the lush countryside. “Green squares. …Distance a grey” this is a major comparison between the countryside and moor. The countryside is green and safe while the moor is grey and evil. The introduction of “Melancholy Hill” sets an atmosphere, as melancholy shows a depressive and a gloomy state of mind. This shows the atmosphere and mood for the moor, which is opposite to the lush green one of the countryside. Sir Arthur Conan Doyle uses the word ‘melancholy’ to describe the hill not direct to the atmosphere; this is used throughout the book to let the reader decide upon the atmosphere. “Strange jagged summit” is used to demonstrate that the moor in itself is strange but “jagged summit” shows a weird unclear thing possibly hostile and uninviting. This “jagged summit” may represent the hound, as we are unclear of the truth or it could represent a strange unnerving atmosphere on the moor. As they travel through the moor they spot a man with a “dark and expressive face”, dark shows an element of evil, as a dark atmosphere is often seen as a negative evil one. “Expressive face” shows the feeling that the man is in, and as it is linked with dark it shows an angry, depressing face which links to the Melancholy Hill.  

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    It describes the man as “high blooded, fiery and masterful”; this helps the reader relate it to Hugo Baskerville who started the curse. As they travel further they describe the moor as “forbidding”, and the use of forbidding is used to show danger. Danger and forbidding can be linked to the curse, and as the moor is forbidding it shows signs that they should turn around. The atmosphere is now thrilling and gloomy.

     Sir Arthur Conan Doyle states “difficult and dangerous quest”, this relates to the case and shows that it will involve consequences and ...

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