Social, Cultural and Historical Aspects of the play 'Road'

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Social, Cultural and Historical Aspects of ‘Road’.

By Zoë Murray

                

                Jim Cartwright wrote the play ‘Road’ and was born in 1958. Brought up in Farnworth, Lancashire, he left school at 16, and worked as an actor after training at the Central School of Speech and Drama. His first play, Road, was commissioned by the Royal Court Theatre, London, and first performed in 1986. The play went on to win a number of awards and was also adapted for the BBC.

                Road is Cartwright's first and most performed play and is a series of vignettes combined with monologues.  These monologues are notable for an almost 'stream of consciousness' quality which mirrors the wider framework of the narrative.  Scullery wanders aimlessly up and down his 'road' pointing out characteristics of the dismal site and setting the scene for the glimpses we see of the residents' lives.   Scullery is both part of the scene and the creator of it.  This technique - which owes much to Brecht - is also utilised in a number of Cartwright’s other plays.

                Cartwright makes the audience viewing Road feel as though these characters he writes of grew up with him; as if they are familiar to him as he illustrates them so convincingly. Cartwright however, said that the characters “…just stepped out of my imagination as far as I can make out.” As mentioned previously Cartwright uses Brechtian techniques in Road and he does in quite a few of his other plays. However, Cartwright disrupts this conventional Brechtian 'distancing' technique with a Chekhovian attention to sincerity of characterisation:  whilst his narrator-figures set scenes, introduce other characters and provide social and/or political 'comment', they remain at all times 'in character', affected by the action, subject to the dramatic outcomes of that action. Cartwright is not limited to a particular style or form, though he does interlink dialogue with monologue in many of his works.

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                An example of another play performed at the Royal Court Theatre in 1986 was ‘Serious Money’ by Carol Churchill and the well-appreciated ‘My Mother Said I Never Should’ in 1987.  Both differing from Road but similar in other ways i.e. some Brechtian devices were used in ‘My Mother Said I Never Should’ as too were in Road.

                The material in the play is influenced by social upbringing and specific experiences in life. The characters are a reflection on their parents wherever or whoever they may be. Carol a character in the play seems to resent her upbringing by her Mother Brenda.

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