Techniques and themes used in Journey's End.

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Techniques and themes used in Journey’s End.

        There are a large number of techniques R.C. Sherriff uses in Journey’s End to make his play entertaining to the 19th Century audience. In this essay I will be exploring these techniques, which include powerful characters and comedy, to portray his ideas of the struggles of coping with war and the differences between classes.

        I will start by analysing the comedy. The only comedy within the play, apart from when Stanhope, Trotter and Hibbert are drunk and telling each other humorous stories, comes from the cook, Mason. The humour is used to break the tension between the characters at awkward moments in the play and through Mason it is used to keep up the morale of himself and his fellow men in the dugout. Throughout the play we discover the things which keep the officers going during the war and comedy seems to be the thing which Mason uses. For example “Yes sir. Quite nice and lumpy.”

        The second technique is the directions Sherriff uses in his play; these are used in a variety of ways. The main use of the directions is to reveal the humans as rather than just soldiers, for example a policeman shows authority rather than a person; whereas Sherriff portrays them as individuals. On page 61 there are understated emotions by Trotter and Osborne, “What a damn nuisance”/ “It is rather”. Osborne’s attitude and kindness, even as an officer is shown towards Raleigh as he tries to protect him, “Were you and I picked- specially?”/ “Yes.”.  This direction is then continued to indicate the tone and mood when Raleigh and Osborne are waiting for the raid. The pauses and directions such as “deep breathes” make the last eight minutes tense for the audience and seem to be in somewhat real time.

The most important technique I will focus on is the characters themselves and how powerful they appear.  Even though Stanhope takes a major role in the play, soldiering on through the war without taking leave he is not the strongest character, I feel. I believe that Osborne is the most powerful character. As soon as Raleigh arrives, Osborne prepares him for the change in Stanhope through his sensitivity, strengths and leadership. Osborne explains to Raleigh about Stanhope’s drinking problems so that it does not shock him. This shows that Osborne is aware of other’s feelings and he wants to protect them from something he knows they would not want to hear. Osborne tells Raleigh to think of the war as "romantic" and shows him how to block out the horrors of war by making it seem positive. Osborne is a strong, caring, powerful figure and provides something steady for the audience to relate to.  Again the directions are used considerably in the pauses giving the audience time to think on the situation and reflect on what both characters are going through. He also has the ability to calm the other characters when they are worried or, in Raleigh’s case, too much enthusiasm; for example “You mustn’t always think of it like that…” whilst calmly puffing at his pipe.  He also manages to cleverly distract Stanhope when he is dwelling too much on the horrors of war. Osborne is shown to be a calm man who was not obviously affected by the horrors of war unlike the others. He had “a fine head, with close - cropped, iron - grey hair”. He looked about forty-five – “physically as hard as nails”. He was second in command behind Stanhope and was nickname of 'Uncle' because he was so kind and supportive to the others. As I mentioned before, Osborne’s care for others continue up until his death as just before the raid his attitude and kindness, even as an officer is shown towards Raleigh as he tries to protect him, “Were you and I picked- specially?”/ “Yes.”.   This kind and positive behavior from Osborne may not only be for the benefit of others but it may also help him to forget about the war as he is spending so much time rallying and convincing others to look at things in a positive way, he is also convincing himself at the same time.

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Osborne admires Stanhope "You've done pretty well. An M.C. and a company" but strangely seems to look after Stanhope in a way, telling him "I wish you'd turn in and sleep for a bit" as Osborne can see that Stanhope is tired and he almost seems like the parent of this company, looking after everyone; Osborne also tells Stanhope that he "ought to go away for a rest". Osborne also believes that everyone tells the truth and this is shown when Hibbert tells them he has neuralgia of the eye, Osborne says to Stanhope "I don't see how you can ...

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