The Aspects and Perceptions of 'Love' in "Romeo and Juliet"

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Graham Conner 10c                                                 Miss Kitson

The Aspects and Perceptions of ‘Love’ in

“Romeo and Juliet”

“Romeo and Juliet” is a love story written by William Shakespeare over 500 years ago. It is a story about two lovers trying their best to keep their romance a secret. In the play there are many aspects and perceptions of love made by a variety of different people.

 Romeo is truly in love with Juliet, unlike when he claimed that he loved Rosaline; this was not a genuine love, more of a ‘crush’ that only lasted a matter of days. This can be seen when he talks with Friar Lawrence.

 “Thou chid’st me oft for loving Rosaline” (Act 2 Scene 4)

Even though this is the case Romeo felt shocked and heart broken when he found out that Rosaline did not love him and that she was never planning to get married. Romeo used oxymoron’s in his speech to show his hatred. Oxymoron’s were commonly used in love poetry, as love is combined of two opposite emotions. But here it shows the hatred between the two families.

“O any thing of nothing first create!”(Act 1 Scene 1)

“O heavy lightness, serious vanity” (Act 1 Scene 1)

 After he started to see Juliet there was a noticeable difference in the mood of Romeo. He became much more open and friendly towards others, especially towards the Capulet household, but this did not last. Something that Romeo noticeably does is refer to light and things of mystery to describe love and things he loves.

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“The brightness of her cheek would shame those stars”(Act 2 Scene 2)

“O speak again bright angel,…” (Act 2 Scene 2)

“Two of the fairest stars in all of heaven” (Act 2 Scene 2)

It is obvious that Romeo is truly in love with Juliet. He risks is life to see her, twice. Firstly in the balcony scene and secondly on the night after her marriage. Juliet cares about Romeo. She was frightened for the welfare of his life. But she was still disheartened to see him leave.

“‘Tis almost morning; I would have thee gone,

And yet no farther ...

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