The context of the play in Ibsen's 'A dolls house'

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The context of the play in Ibsen's 'A dolls house' This play focuses on the way that women are seen, especially in the context of marriage and motherhood. Torvald, in particular, has a very clear and narrow definition of a woman's role. He believes that it is the sacred duty of a woman to be a good wife and mother. Moreover, he tells Nora that women are responsible for the morality of their children. In essence, he sees women child-like, helpless creatures. The perception of manliness is also discussed, though in a much more subtle way. Nora's description of Torvald suggests that she is partially aware of the lies inherent in the male role as much as that of the female. Torvald's conception of manliness is based on the value of total independence. He hates the idea of financial or moral dependence on anyone. Tied to the discussion of men and women are the frequent references to Nora's father. Throughout the play, there are references to Nora's father. Furthermore, Nora is frequently equated with him, from her actions to her disposition.
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It is suggested that Nora does wish that she were like her father and, taking that further, male. Her desire suggests a deeper understanding of the confinement she faces than might otherwise be apparent.                                                Torvald calls Nora, as a symbol of woman, a number of names throughout the play. These include "little songbird", "squirrel", "lark", "little featherhead", "little skylark", "little person", and "little woman". Torvald is extremely consistent about using the modifier "little" before the names he calls Nora. These are all usually followed by the possessive "my", signalling Torvald's belief that Nora is his. Torvald's chosen names for Nora ...

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