The Dark Knight film review.

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Media coursework.

April Sidlow

broadsheet film review.

The Dark Knight

"Because he’s the hero Gotham deserves, but not the one it needs right now. So we'll hunt him, because he can take it. Because he’s not the hero. He’s a silent guardian, watchful protector. The Dark Knight.”

“Batman” isn’t a comic book anymore. Christopher Nolan’s “The Dark Knight” is a haunted film that leaps beyond its origins and becomes an engrossing tragedy. It creates characters we come to care about. That’s because of the performances, because of the direction, because of the writing, and because of the superlative technical quality of the entire production.

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The key performance in the movie is by the late Heath Ledger, as the Joker. His clown's makeup more sloppy than before, his cackle betraying deep wounds, he seeks revenge, he claims, for the horrible punishment his father inflicted on him when he was a child. Throughout the film, he devises situations that force Batman (Christian Bale), Commissioner Gordon (Gary Oldman) and Harvey Dent (Aaron Eckhart) to make impossible ethical decisions.

 

To counteract this, the Batman as usual tracks the Joker down but similar to previous films, the Joker escapes, unscathed, which leaves him to come up with ...

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