The Merchant of Venice is a racist play - Discuss

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17th October 2002                                                Sophia Morris11JPL/D1

The Merchant of Venice is a racist play – Discuss

Introduction

                     Racism is the belief in the innate superiority of one race over another, this is shown numerous time in Shakespeare’s play, The Merchant of Venice.

  In this play the racism is mainly said about Shylock or is from Shylock’s mouth, the audience is made to see two sides Shylock, the villain and the victim. In this essay I will try to show both sides of the argument.

  Shakespeare has generally made this a racist play, but does include a famous speech on Shylock’s part, which contradicts the belief that, in the end the Christians were superior. I think that the audience is made to feel that Shylock got what he deserved in the end, as he is just a selfish money-lender who delights in the prospect of cutting a pound of flesh from someone who has, in the past mistreated him. He is shown to be a bloodthirsty fiend armed with a knife who cares more for money and revenge than his own daughter. But when looking closely at Shylock’s language we see a fair, more sensitive side to Shylock, Shakespeare uses this to show reasons for Shylock’s inhumane behaviour. Shylock is likely to be torn to shreds, emotionally by the society around him, which clouds his view on what’s right and what’s wrong.

  Shylock is both tragic and comic, and in some ways, is made to fit the characteristics of a stereotypical Jew. I will try to prove all this and more in my essay.

Shylock appears in five scenes throughout the play, The Merchant of Venice, which shows the importance of his role, he is also involved in the main strand of the play, the bond, although Portia shows the first racist view.

  Portia tells Nerissa of her feelings towards Morocco’s complexion, after the Servingman tells her of his approach (P19),”….complexion of a devil, I had rather he should shrive me than wive me”(Act 1 Scene 3 Line 107-108). Portia thinks the devil is black, she is truly racist, but in the Elizabethan times they did think the devil was black, which means the Elizabethan times, were racist times. So many people in those times must have been racist, not just Portia. Also when the Prince of Morocco tries and fails, she says, "May all of your complexion fair the same”.
 When Shylock does appear for the first time, it is when Antonio goes to Shylock to borrow money so that Bassanio can try his hand at winning Portia, Shylock agrees, but says he won't eat, drink, or pray with them. Among his grievances against Antonio, he loves simplicity, won't lend or borrow money and that Antonio’s standard way of addressing him is Jew, Dog or Devil, or some such epithet. Almost in jest, Shylock demands a pound of flesh against the 3,000 ducats instead of interest. As the play develops that pound takes on new and serious meaning.
 Shylock's daughter Jessica plots her escape with Lorenzo so she can marry him and become a Christian. She's ashamed to be her father's daughter, a Jew. Shylock is crazy with grief that his daughter has run off with his jewels, his money, and a Christian. The more he grieves, the more the mock him and it's easy to see why Shylock becomes so hardened and vengeful, anyone would, being subjected to hate, ridicule, and mockery like that. In his soliloquy Shylock is mighty convincing, as he asks "Has not a Jew, blood, passions, feelings, etc., culminating with "the villainy you teach me I will execute and will better my instructor." This is why he will take revenge on Antonio, and this is where his views on what’s right and what’s wrong diminish. From this point on, there is no return.

  When Antonio's fortunes turn sour Shylock rejoices. Antonio has fanned all this hate against him, and now he will default on his debt. Shylock no longer wants money, only revenge. In the courtroom scene, as everyone reviles him with "Jew Devil/Jew Dog" epithets, he becomes more hardened. Finally, when Portia, disguised as the Judge tells him he can have exactly one pound of flesh, but he can't draw one drop of blood, Shylock agrees to take the money, but they won't let him. Now they take his estate and divide it between Antonio and the state. They also say the law provides for his execution. In a grand gesture, they grant him his life. Everything almost works when Antonio and the Duke give him back his property but make him award it to his daughter and her husband at his death. The humiliation is completed, though, when they make him renounce his God and become a Christian as a condition of this.
 Everyone else is reconciled and lives happily ever after in the happy finale, but the sourness of complete and total degradation, humiliation, and destruction of Shylock certainly leaves a sour taste for the 2002 audience. "The Merchant of Venice" is a blatantly racist play. Shakespeare masterfully shows the causes of it and the hate and vengefulness it engenders, but then he even seems to reward this when Antonio's ships come in at the end. It's very disturbing, and this highlights it both in itself and through the juxtaposition of the comedy and the hate.

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  In the play “The Merchant of Venice” by William Shakespeare, Shylock is the villain. However, there are reasons as to why he does and why he does not deserve this name: the fact that he is only considered the villain because he is a Jew, Antonio deserved mercy, and so Shylock should be shown mercy as well. Shylock really can’t be blamed for turning into a villain after all the terrible things that have happened to him. Also, if the other characters were the genuine Christians that they made themselves out to be, they would show mercy to Shylock, ...

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