This breakdown in the group's need and desire for morality, order and civilization is increasingly unable to do by the presence of the Beast.The time to which each boy is to see the beast mirrors the time to which he is afraid, and can be linked to a "fight or flight" mechanism. Simon is really the only one on the island who realizes that the fear is innate and that there is no beast. "What I mean is... maybe it's only us." Simon seems to exist outside Jack and Ralph's conflict and he contrasts with them as his qualities seem to be more natural, a kind of instinctive goodness that is not taught by human society such as Ralph's political type of civilization.
At night, when fear mainly controls the boys, they feel they are not answerable for what they do. Even Ralph, the symbol for civilization, morality and leadership joins in the tribal chanting and killing of Simon for he cannot help himself but be part of the mob. After Simon's death, Ralph and Piggy discuss what happened but both desperately try to excuse their actions "It was dark. There was that - that bloody dance. There was lightning and thunder and rain. We was scared! ... It was an accident, that's what it was, an accident." They are denying that they were part of Simon's murder. The disturbing display of savagery when Jack's boys cut off a pigs head, the Lord of the Flies and put it on a stick as an offering for the beast is an important symbol of the theme of an instinctive human savagery.
Simon's delirious confrontation with the Lord of the Flies confirms his theory of evil being instinctive to man and actually within all of us "There isn't anyone to help you. Only me. And I'm the beast... fancy thinking the Beast was something you could hunt and kill! ... You knew didn't you? I'm a part of you." Golding is portraying through these examples that every person, no matter how strong their moral instinct will become savage sometime or later.
A strong theme throughout the novel is that of power. It could be argued that the author was using this theme as a short moral story, for the island was a microcosm of the political view at the time. Golding uses the boys as symbols, Ralph and Piggy representing political side (e.g. gathering people for meetings) and Jack representing a dictator (who speaks there mind and just does it).
The boys look for leadership qualities when deciding their leaders. "None of the boys could have found good reason for this; what intelligence had been shown was traceable to Piggy while the most obvious leader was Jack. But there was a stillness about Ralph as he sat that marked him out: there was his size, and attractive appearance; and most obscurely, yet most powerfully, there was the conch." The author is showing us that we need all the characters of good leadership to be successful, i.e. charisma and popularity, not just intelligence and logic.
Golding uses many effective writing techniques to clearly and strongly depict his ideas and visions. In the beginning of the novel Ralph is talking to Piggy shortly after they have met "'I could swim when I was five. Daddy taught me. He's a commander in the navy. When he gets leave he'll come and rescue us. What's your father"'
Piggy flushed suddenly.
'My dad's dead... and my mum--'
He took off his glasses and looked vainly for something with which to clean them.
'I used to live with my auntie. She kept a sweet shop. I used to get ever so many sweets. As many as I liked. When'll your dad rescue us"'." In this snatch of dialogue Golding catches not only schoolboy speech patterns, but also the social difference between the two boys.
Another example of familiar language use is when he is describing Piggy's bloody death on the rocks. "His head opened and stuff came out and turned red." He is using the boy's type of speech to create a clear mental image. Techniques such as foreshadowing are also used to hint and give the reader an air of suspense, for example when Ralph joins in the chant around Robert after they nearly catch a pig, the boys get caught up in the excitement and nearly kill Robert. This is a presage of the incident of Simon's murder.
The use of irony in the last chapter of the novel is effective in illustrating the boundary between civilization and savagery. One of Golding's most effective techniques is his use of a character who resolves a complication. As Ralph is escaping from Jack's tribe there is a sudden appearance of a Naval Officer to bring the boys back to the world of law and order. The fire that attracted the attention of the band of naval officers was not a controlled signal fire but a fire with the purpose of killing and burning Ralph as Jack's tribe hunted him. This is an essential message of the novel - the irony is that it was their savagery that ultimately saved them. The irony is deepened by the behavior of the officer. His manner indicates he has never seen such savagery, that he was outraged by the boys. Yet, the man is a naval officer at the very time of the rescues, himself serving in a war zone.The island is a microcosm and these techniques are the tools which provide the reader with a clear insight and an understanding into human nature.War and the time of his upbringing was the context for William Golding's "Lord of the Flies."Through the two wars, the Great Depression, and the Cold war, he was exposed to what mankind is truly capable of.
He makes many subtle references to the politics of the 20th century. "We might get captured by the Reds", a possible reference to communist times. Another link is the boys' address of jack, "The Chief", which reminds us of Hitler's title in Nazi Germany. It portrays Jack's Totalitarianism and links it to a figure that was prominent at the time.
His perception of what mankind was capable of was extremely negative. He said once "I believe man suffers from an appalling ignorance of his own nature. I produce my own view [Lord of the Flies] in the belief that it may be something like the truth." Golding could not see how in a world of Christianity, there could be so much fear, abuse of power and savagery. This was accounted for by man's "Original Sin", the disobedience of Adam and Eve which led to the loss of paradise. He describes this loss of paradise as the move from civilization to savagery, a utopia to a dystopia. Golding has unquestionably provided us with a profound insight into the dark side of human nature - and has achieved this using shock and horror as artistic devices.
"Ralph wept for the end of innocence, the darkness of mans heart and the fall through the air of the true wise friend called Piggy."
This quote from the last page of the novel in fact summarizes the thesis of the "Lord of the Flies." Here, Golding explicitly connects the sources of Ralph's despair to two of the main themes of the novel: the end of innocence and the "darkness of man's heart," the presence of savage instincts lurking within all human beings, even at the height of civilization.In looking at this, we see that "Lord of the Flies" is in practice an essay or thesis on the human condition. This last important sentence is his conclusion, the summary of his opinions and beliefs.
Golding's use of themes and symbols such as the close conflict between civilization and savagery, instinctive evil, and power; extensive writing techniques to provide the reader with a more reflective insight into human nature; and his life's experiences, enrich the novel with truths that can only be truly discovered through bitter experience. For these reasons, it can be seen that "Lord of the Flies" does shock and disturb the reader into an insight and better understanding of the human condition