The Power of Selfishness

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Mitchell Goulding

AP Literature and Composition

Mrs. Farrell

19 May 2007

The Power of Selfishness

        Literature overflows with references and symbols that correlate to teachings of many different subjects. Many authors design characters who, for some unknown reason, feel they cannot control their own selfish motives. The system of egoism defines itself as the “ethical system that places needs of oneself above and before those of others. Incorporated into this system, the more explicit views of the psychological egoist arise. The psychological egoist firmly believes that he holds no power over his selfish motives; humans innately strive to maintain what proves best for themselves over any other’s needs. This situation becomes evident in Shakespeare’s Macbeth as Macbeth allows his “vaulting ambition” to overpower his best judgment. While Macbeth’s questions his actions towards the beginning of the play, his true character surfaces as we see the transformation from a discerning war hero to a monstrous, uncontrollable murderer.

        Because Shakespeare chooses to slowly reveal Macbeth’s faults, the reader initially falls into the perception of Macbeth’s nobility and control over his own desires. The reader first meets Macbeth as he rides in from a successful battle in which he decimated Scotland’s foe led by Macdonwald. Like the reader, Macbeth’s peers also trust his courage in valor “for brave Macbeth- well he deserves that name-/ Disdaining fortune, with his brandished steel, / Which smoked with bloody execution, / Like valor’s minion carved out his passage/ Till he faced the slave”(I.ii.16-20). Even the king resounds Macbeth as a “valiant cousin, worthy gentleman,” a gesture that portrays trickles of irony, as this valiant cousin would soon become his gruesome murderer. These bold and proud portrayals of Macbeth are implemented to confuse the reader, to skew his belief in Macbeth’s ability to kill a friend, to hide Macbeth’s uncontrollable secret desire to assume the throne of Scotland. Shakespeare quickly reveals Macbeth’s ambition for the throne as he portrays an inquisitive Macbeth, careful not to promulgate his excitement for the three witches’ prophesy. Macbeth snaps to the hags, “Stay, you imperfect speakers, tell me more! /… Speak I charge you” (I.iii.70-78). The quick reaction to the witches’ prophesy of his kingship flags the reader to notice Macbeth’s instantaneous and uncontrollable interest in the prospect of overthrowing Duncan. The uncontrollable urge for self-advancement over others’ well being closely follows the Catholic Social Teaching of the psychological egoist’s inextinguishable desire to trump the success of others and attain fame and glory. Thinking through the requirements and consequences of his kingship, Macbeth slowly settles away from the idea of murdering the honorable Duncan, a withdrawal which sets the reader astray from the prospect of Macbeth’s desire to advance at any cost. As he arrives back to his castle, Lady Macbeth meets him with a rampant frenzy, questions him about what it will take to propel her to the position of queen, and implores him to consider the simple murder of Duncan to grasp her such happiness as well as seal their marriage’s happiness. Like Macbeth, Lady Macbeth keeps captive the same uncontrollable desire that defines a psychological egoist; however, she chooses to play into Macbeth’s fears and emotions to achieve her goal rather than following through herself. Lady Macbeth and Macbeth clearly know what they want and submit to any means necessary in order to achieve their goal. They plan to greet Duncan as he arrives at Macbeth’s castle “[looking] like the time, [bearing] welcome in [their] eyes, / [their] hands, [their] tongue. Look like the innocent flower, / but be the serpent under it”(I.v.64-66). The now assured murder of Duncan slowly assimilates into a passionate war to achieve their desires at cost to any others, even Lady Macbeth’s desires trump those of her husband in her mind. The selfish mood throughout the play seems to give warning to not only selfish ideas and selfish motives, but to society’s ability as a whole to quell these undying desires, to allow these dangerous ideas to subside, and to realize the need for intervention long before one’s ambition grows to large to control. Egoism has been widely criticized as subverting attempts to live together as a whole, a criticism which further magnifies the potency of danger that Macbeth’s ambitions hold.

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        Macbeth’s ability to act upon his ambition remained unclear for a large part of the play; however, once he committed the initial murder of Duncan, Macbeth’s will to remove anything that threatened his success became clear; his willingness to kill further emboldened the correlation of him as an egoist. Quickly becoming suspicious of the beliefs of those around him, Macbeth moves to kill Banquo, his closest friend and ally until this point. As Banquo clearly dictates his unwillingness to support Macbeth in his nefarious deeds, Macbeth decides to call upon a group of murders to remove the threat of not ...

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