The prologue and Act III, Scene I of Shakespeare’s Romeo and Juliet are tackled in different ways by different directors. How does Franco Zeffirelli and Baz Lurhmann interpret these sections in order to bring the drama alive

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Cally Hodgkinson                                          7th December 2001 

Shakespeare

The prologue and Act III, Scene I of Shakespeare’s Romeo and Juliet are tackled in different ways by different directors. How does Franco Zeffirelli and Baz Lurhmann interpret these sections in order to bring the drama alive.

William Shakespeare’s Romeo and Juliet is about “Two star cross’d lovers” who take their lives. It is a famous tragic love story, which is as popular today as in Shakespeare’s time. Two film directors have produced the play but have interpreted it in different ways, in order to bring the drama alive.

   Franco Zeffirelli directed his film in the 1970’s and produced a very traditional version. Where on Baz Lurhmann’s 1998 adaption, set in modern America and is very new although he does use Shakespeare’s language.

   Both directors retain the prologue as an introduction to their films. Shakespeare’s prologue, written in sonnet form, gives an overview of the play and Baz Lurhmann + Franco Zeffirelli use it for different purposes.

    Lurhmann’s prologue gives a very dramatic opening to the film. It begins a blank cinema screen, in the centre a television screen appears. It is not switched onto a channel so all the audience can see is static. Gradually the television screen fills the cinema screen, a clever device for it makes the audience think they are watching a television news flash. The television shows a black female news presenter who reads twelve lines of the prologue, while she’s doing this the TV fills our screen and we are able to see a ring which underneath says ‘Star cross’d lovers’.    

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   Franco Zeffirelli introduces his version of Romeo and Juliet with a male narrator who speaks just eight lines of the prologue. It’s set in a deserted square, which seems calm with soothing music playing in the background, which contrasts with the chaos that occurs in the first scene.

   Since Lurhmann’s version of Romeo and Juliet is modern, people are wearing fashionable clothes, have modern cars and transport. Also to defend themselves they have guns.

   Zeffirelli’s version is very traditional. It was made nearly thirty years ago and sticks to the original very closely, much of the original ...

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