The transformation of Eliza Doolittle

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The transformation of Eliza Doolittle

Pygmalion is the story of a professor who has the challenge of transforming a Cockney Flower girl into a lady, by improving her etiquette, pronunciation of words, and grammar. Pygmalion is a book about money, freedom, social class and independence but most importantly about language. I am going to be looking at the main things that Higgins has to change, how difficult these will be, and how successful he is. I will be doing this by comparing two scenes from the play.

When we first see Eliza Doolittle, she is simply characterised as “The Flower Girl”. From this, I think that Bernard Shaw is trying to convey the message that at this point in the play she is not very important at all, as she is not even referred to by her name. In act one, page fifteen, Bernard Shaw uses phonetics instead of real words to show the type of accent that Eliza has:

“Nah then, Freddy: look wh’y’ gowin, deah.”

and also

“Theres menners f’yer! Ta-oo banches o voylets trod into the mad”

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Bernard Shaw could have just written these as “Now then, Freddy: look where you’re going, dear.” And “There are manners for you! Two bunches of violets trodden into the mud.” By using phonetics we get a better idea of what Eliza’s accent is really like. When Eliza the flower girl is asking everyone beneath St Paul’s Church if they would like to buy some flowers, Henry Higgins the phonetician is taking down every word she says. He surprises everyone by telling them exactly where they were born and does this by simply listening to their dialects and accents, so ...

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The idea of looking at Eliza's transformation is an interesting one that should involve looking closely at the relationship between Eliza and Higgins. This essay doesn't really demonstrate in depth analysis and the points that are made are too brief. Make sure points are relevant and linked to both the title and each other. 3 Stars