The Truth behind the Leader.

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The Truth behind the Leader

As Machiavelli once wrote in a letter, “My view is that it is desirable to be both loved and feared; but it is difficult to achieve both and, if one of them has to be lacking, it is much safer to be feared than loved.” A prime model of application can be seen in William Golding’s novel Lord of the Flies.  In the story a group of British schoolboys become marooned on an uninhabited island due to a nuclear war. On the island the attempted democracy by the boys gradually begins to fail into anarchy, disarray and even death. In the novel Golding uses Jack, the often feared antagonist, as a symbol for cruel absolutism. To create this symbol, Golding uses instances of power hunger, images of savagery, and Jack’s use of manipulation.

In the novel, he is introduced as the prominent choir leader, Jack Merridew, but his prominent status soon turns to an obsession for power. After the plane crash which maroons the boys on the island, the boys are called together for the first time by the sound of the conch, a symbol for order, being blown. As they boys draw together from various parts, other characters begin to introduce themselves. Dressed in black cloaks, Jack, the commander of the choirboys, and the choirboys come marching in ordered columns.  And right away Jack attempts to assume power over the boys through his “simple arrogance” (Pg. 19) that he rightfully should be leader because , but is humiliated by a loss against his counterpart, Ralph, the primary representative of order, civilization, and productive leadership. Keeping his composure, Jack recovers himself and tries to give the boys a positive outlook of him. Although, he is somewhat satisfied that he has control over the choirboys which he will use as tool of influence for the rest of the boys. Like his real world counterpart, Jack believes he should be leader by divine right as the kings of many absolute European countries did.

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All throughout history governments from the most tyrannical to the most democratic, have those select few who are looking to become the utmost figure of the people for the simple feel of superiority. They are distinct in character and have priorities aimed at appeasing the majority, but only if it is beneficial towards the figure gaining authority. Jack takes on his arrogant figure once again after the cautious Ralph gave Jack control over the choir. His motives gave the impression he was a negative figure, but his intentions can be seen with positive outlook that are extremely beneficial to his ...

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