This essay will discuss how authors create atmosphere in three short stories: The Man with the Twisted Lip by Arthur Conan Doyle; The Red Room by H.G Wells and The Signalman by Charles Dickens.

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Essay – Prose Victorian Stories Coursework

Emma Munday – 10L

Discuss how the authors create atmosphere in three Victorian stories and the effect of the audience. Examine the settings, characteristics and the use of the supernatural and dialogue

This essay will discuss how authors create atmosphere in three short stories: The Man with the Twisted Lip by Arthur Conan Doyle; The Red Room by H.G Wells and The Signalman by Charles Dickens. Each one of these stories was written in the 19th Century, the Victorian Period. Each one has an element of the supernatural in them, even in The Man with the Twisted Lip. There are no paranormal beings in the story, yet the main character of the case is strange and bizarre. Every one of these stories has something in common: the paranormal which creates an atmosphere of darkness and the unknown. An example of this can be found in The Signalman. The spectre of a being warns people of future accidents, not actually frightening at all, because it means no harm; yet the very nature of a supernatural being creates fear. At the end of The Man with the Twisted Lip, there is a solution to the story because the case is solved. There are no supernatural beings in this story but it still has elements of shock and tension. For example, at the end of the story when you discover St Clare was the man with the twisted lip. You feel this because this was the period of time that a famous serial killer, Jack the Ripper was present.

The other two stories, The Signalman and The Red Room are dark and mysterious, because there isn’t a solution. They are typical Gothic Nineteenth Century mystery stories because they write about ghosts and the paranormal.

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The Signalman was written in 1865, The Red Room was written in 1894 and The Man with the Twisted Lip was written in 1891. Some of the educated classes in the Nineteenth Century were beginning to embrace the modern world and reject mystery, an example of this can be found in the Red Room. At the start of the story, the main character says ‘It will take a very tangible ghost to frighten me’. This means we have an instant sense that the narrator doesn’t believe in the supernatural. Another writer that discusses the supernatural is Charles Dickens in ...

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