Monsieur Meursault is the central character in the novel. He is emotionless and a careless person; society sees him as an outsider or even a monster. Even though he is honest and as a character he is both disturbing and fascinating. He only seems to care for the most fleeting of sensations and gives no thought to future consequences, for example killing the Arab. For him the events that are important for most people do not mean anything, like the fact that his mother is dead, that Marie loves him and wants to get married. He simply does not care about that. Meursault is amoral; he cannot make difference between good and bad. Raymond asked him to write the letter for his girlfriend, which Meursault does without realising the consequences. Meursault’s indifference seems to apply solely to his understanding of himself. At the end of the novel he realizes that the universe is like him, totally different to human life and that people’s life do not have any meaning or importance, so at the end he is completed as a character.
Raymond Sintes is a friend and a neighbour of Meursault. Raymond is a bit like Meursault, he is lonely, he keeps away from other people and he is a cold person. Raymond definitely dislikes women. If Meursault is just different and annoyed with himself, then Raymond on the other hand is a cruel and a violent person, and he knows how to use other people, as he uses Meursault. For example, he has problems with his ex-girlfriend, he beats and abuses her. He says to Meursault that he needs to punish her, which actually leads to conflict with the Arab. Raymond initiates action. Although he only seems to use Meursault, he actually testifies for him and feels a bit responsible.
Marie Cardona is the girl who loves Meursault and he likes her as well, but he does not love her. Marie seems to be good-hearted, she accepts everything that Meursault does, including his behaviour and careless. Marie is cheerful, honest and loyal to Meursault. Marie loves Meursault a lot and wants to marry him; she says that she probably loves him because he is so peculiar. Marie also delights in physical contact; they do not kiss in public places. Marie’s physical affection for Meursault signals a deeper sentimental and emotional attachment. Marie acts in a strange way, because Meursault does not care about her at all, but Marie just forgets that and loves him still, and she stays loyal to him even when he is in the prison, she goes to see him. Probably, she enjoys the freedom, because Meursault does not take any interest in her life when they are not together. Marie never grasps the indifference of the universe and she never comes to understand the redemptive value of abandoning hope.
Salamano is Meursault’s neighbour. An older man living with his dog (spaniel). He seems to be a very lonely and depressive person and he is filled with anger that he expresses by beating his dog. Meursault does not know him very well, but he always hears Salamano fighting with his dog. Once Meursault hears him crying and he goes to see what has happened, Salamano tells him that his dog is missing and he is really upset. From that, you can see that even if he was beating his dog, he actually loved it very much and the spaniel was the only friend he ever had. Salamano testifies for Meursault in the trial.
The Arab is the friend of Raymond’s ex-girlfriend’s brother and he actually plays only a small role in the novel, which is important. You can see that The Arab is a person who wants revenge and he and Raymond’s ex-girlfriends brother are the ones who follow Meursault and Raymond to the beach and start the fight. Meursault is quite cruel to him, after he falls down, Meursault shoots him four times.
Maman is not a living character, but is still important. Meursault has a very cold relationship with her; he sent her a home, where she lived out her remaining days. The fact that she is dead, and how Meursault acted in the funeral causes much trouble for him even later. His mother sets in motion society’s negative image of his personality.
The novel “Outsider” was established in 1940’s after the Second World War in France. There is very big effect of the war on people’s religious beliefs.
The meaninglessness of human life is one of the major components of Camus’ absurdist philosophy. He finds that human life has no redeeming purpose and the only thing that makes sense is death. In the novel you can see that Meursault finds his peace at the end. He understands that it does not matter whether he dies by execution or normal death. Meursault realizes that he is so different from the universe and the universe is indifferent to him. Like everyone else on this earth, Meursault was born, he will die, and he will not have any further importance to the universe.
The importance of the physical world. Meursault is more interested in the physical aspects of the world around him rather than in its social or emotional aspects. In the “Outsider”, Meursault’s attention centres on his own body, physical contact with Marie, on the weather and on the nature. For example at his mother’s funeral the heat causes much more trouble to him, than the fact that his mother is dead. He also suffers on the beach, because of the sun. Which represents the obsessive effect of society.
The story is written in the first person, in the kind of spare, economic style. The flat, impersonal style is perfectly matched to the subject matter. Sentences to not follow upon each other in a logical train, they succeed each other, almost without apparent connection. Camus tries to avoid causal conjunctions, but the ones Meursault uses are “and” and “then”, word which do not show motivation. At the end of the book, the language changes a bit. From being very passive it suddenly becomes an obsessive and legal language. The last two paragraphs are the culminating ones, blissful expression of passionate love of life.
The sun is one of the symbols in the novel. The sun is usually associated with positive and good things, like societies generally, however they both can become overpowering. They beat down on people, smothering them just like the sun beats down upon Meursault. The sun is presented whenever the force of society is strong within Meursault. There is sun during the funeral, in the court hall, which claims to possess the right to judge people, and on the beach when he kills the Arab. But there is no sun in the cell, because the overpowering force society has been removed.
The crucifix symbolizes Christianity, which stands as antagonism to Camus absurdist worldview. Christianity conceived a rational order for the universe based on god’s creation and direction of the world. The chaplain’s insistence that Meursault turn to god does not represent a wish that he should accept particularly Christian beliefs so much as a desire that he holds the principle of a important universe in general. When Meursault defies the magistrate by rejecting Christianity, he totally discards all systems that seek to define a realistic order within human existence.
