Tragic Hero.

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Janak Bhundia

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Tragic Hero

Tragic heroes first originated from ancient Greek tragedies. As the name suggests, tragic heroes are exceptional beings, with characteristics which should have led to them achieving greatness, however they all have a fatal flaw, which always ultimately leads to their downfall. Some sort of human weakness too is always present in a tragic hero, which again plays a great part in the transformation from being admired to despised. Tragic heroes have very much become part of the literary tradition, and have since been conveyed in plays from many different cultures.

Macbeth has all the essential characteristics for being called a tragic hero. At the beginning of the play everyone has nothing but admiration for him. He is described as the ideal soldier; brave, valiant and above all loyal, you could say he was the perfect role model. However his meeting with the three witches took its toll on his character as it led to his fatal flaw; his ambition to become King, which contributed immensely to his conversion to the dark side. The human weakness that Macbeth clearly possesses is that which his wife triggers to persuade him to carry out his dreadful acts. His human weakness is simply the mocking of his manhood, which when done drives Macbeth towards committing the dead.

Everyone’s perception of Macbeth in the early stages of the play is very positive. He is depicted as being a loyal servant of his King. This is clear when he is spoken so highly of in Act 1 Scene 2. Firstly the Captain calls him, ‘brave Macbeth,’ and Duncan regards him as ‘valiant cousin, worthy gentleman,’ as well as ‘noble Macbeth.’ Even his wife is not completely sure when she received his letter in Act 1 Scene 5 that she would be able to manipulate him into killing Duncan, when she states he is too ‘full o’th’milk of human kindness to catch the nearest way,’ which suggests Macbeth’s character is far too good to do anything wrong. Throughout the early stages of the play we see Macbeth’s brave, valiant qualities as it is described how he tried so relentlessly to protect the King and his motherland.

Our portrayal of Macbeth grows more positive when he is given a greater title i.e. when he becomes the Thane of Cawdor, we realise that the Thane of Cawdor is the closest Thane to the King and so Macbeth must be held in very high esteem by the King to be considered for the position. There is an element of dramatic irony when Macbeth is named the Thane of Cawdor, as the last one attempted to kill Duncan. Duncan states, when revealing Macbeth is the new Thane of Cawdor, ‘He was a gentleman on whom I built/ An absolute trust,’ this is when he is talking of the old, treacherous Thane of Cawdor. He speaks very highly of Macbeth, ‘No more that Thane of Cawdor shall deceive/ Our bosom interest. The great irony is Duncan trusted the old Thane of Cawdor so much, but he turned out to be a traitor and again he is placing his ‘absolute trust’ on Macbeth as a loyal servant of his, but little does he know that Macbeth too will rebel against him and attempt to assassinate him.

We also see a slight glimpse of Macbeth’s fierceness and tyranny in battle when in Act 1 Scene 2 Captain describes the fashion in which Macbeth dealt with Macdonwald (one of the traitors). He says that Macbeth ‘unseamed him from the nave to the chops and fixed his head upon our battlements.’ There is the possibility that this shows just how courageous and loyal Macbeth is, however there is an element to the description that creates a picture in our minds of Macbeth being barbaric, it is the first sign we see of the disloyal violence, which he shows later on in the play.

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Macbeth’s character first begins to change after his first meeting with the witches, when they state their prophecies. At first it is clear that both Banquo and he regard their meeting with the witches as just a hallucination ‘…or have we eaten on the insane roots.’ However straight after the first prophecy stating the Macbeth would become Thane of Cawdor comes true. Macbeth clearly begins to take the meeting with the witches and their predictions seriously. This is evident as after this he begins to talk aside (soliloquies), about what he actually thought of the witches. The introduction of ...

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