Due to the change from stage to the silver screen some script changes and location changes were made. Some of the changes were forced. Furthermore on screen less dialogue is needed due to the fact it is more visual so you can actually see what is going on. So there is less need for descriptive speech. In both versions the directors have cut the servants speech. The main reasons behind dialogue cuts are, on stage you have much time so show and portray scenes. Where the two directors differ in there approach is where Zeffirelli tries to stay as close to the original text as possible whereas Luhrmann tries to put a new spin on an old classic. The difference is clear in the choice of dialogue that is altered. Luhrmann tends to keep speech emotional. He also tends to cut out any inessential language. However both directors keep the most important sections of act one scene five. These being when Romeo talks to Juliet. Also, when Romeo finds out that Juliet is a Montague. The basis for theses sections remaining in original length is that they are extremely important. Cutting these sections is length would result in a compromising the emotional tone of the play.
The actors have been chosen due to their looks. In both versions the directors have casted good-looking white male. Both Romeo actors look innocent and young, exactly how Shakespeare and both directors depict him. Furthermore in both adaptations the actresses who play Juliet are very attractive. They also have a look of innocence like Romeo about themselves too. In addition I think Luhrmann cast Leonardo Dicaprio because he appeals to the target audience of his movie that is teenagers and young adults.
In the Zeffirelli version music plays a major factor. The music sets the scene, it lets you know what to expect. When the party scene begins all is good and well. Period dance music is being played. It is loud and happy, creating a party atmosphere. When Romeo first sees Juliet the tempo of the music takes a much slower turn. It transforms into a mellow and romantic beat. Not only does the music give you an insight into what is happening but it can also add emphasis to speech and what is being shown on screen. When Romeo and Juliet talk there is no music, this shows the importance of what is being said. In addition when Romeo and Juliet first kiss the music building then reaches a crescendo then goes back down tempo. Zeffirelli also uses the words in songs to emphasise the theme of the play. The words of the songs that are being sung when Romeo first sees Juliet are: ‘A rose will bloom, and then will fade, so does a youth’. Luhrmann also uses words in songs to emphasise the theme of the play. When the party begin, the lyric are, ‘Young, love sets you free…’ Once again a reference to the sense of impending doom. In the soundtrack both directors use music to add import to a section of speck by lowering the volume of the music.
The two directors have used very different costume styles. Zeffirelli has used costumes that are typical of the period. Such as cloaks, doublets and hosiery. Where as Luhrmann uses costumes that show what will happen to the characters. Zeffirelli dresses Juliet in angel wings. This signifies that she will die soon and she is angelic. Romeo is dressed in a knight’s outfit that is made from chain mail. This could be implying that Romeo is a knight that has come to save Juliet. Zeffirelli does not use costume to signify anything. The only instance Zeffirelli uses costumes to indicate an unspoken meaning is when he shows family allegiance, via dressing all the Capulet’s in red. Furthermore dressing Juliet is red shows she is passionate. Also, red is the colour of love.
In the Luhrmann version of Romeo and Juliet there are numerous long shots that illustrate where you are. Luhrmann also to show how wealthy Old Capulet is. An example of this is at the beginning of the scene where Mercutio is dancing on the steps. When Luhrmann uses a close up it is to show an intimate moment. An example of this camera technique is when Romeo is looking at Juliet through the fish tank. Additionally the actor can show emotion through body language that can give more emphasis. However Zeffirelli does not use a variety of camera angles. He gives the impression that you are watching it in a theatre. One possible reason for this could be he was an opera director before he moved into the film industry.
In conclusion I would have to say I prefer the Baz Luhrmann version Romeo and Juliet. I find it very easy to relate to because of the setting and the actors used. I also admire they way Luhrmann combined the old text of Shakespeare with modern sets and techniques. Furthermore, Luhrmann has not lost any of the magic that the original versions of Romeo and Juliet possess. However, in saying the above I also fond of the Franco Zeffirelli portrayal but in my opinion the Baz Luhrmann version has the edge for me.
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