Victorian Gothic Novels

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What Techniques have been used by the Writers to Create Tension and fear into these Victorian Gothic novels, and how successful have they been?

Gothic literature became a very popular genre in the 18th century. Many well accomplished writers gave gothic literature an endeavour, such as Charles Dickens and H.G.Wells. These stories were meant to excite the reader and bring a sensation of suspense. This type of literature uses a range of language techniques, such as onomatopoeia, personification and alliteration. This creates an eerie and terrifying scene. Usually the stories start with an atmosphere of suspension and paranoia. The reader always assumes that something will happen; from monstrous beasts, mischievous spirits or something just as scary. The authors of all Gothic stories explain the scene vigilantly to build a very eerie ambience; however the gothic literature from the eighteenth century now may lack the suspension and monstrous horrors that we crave today. “The Monkey’s Paw” and “The Red Room” are two examples of very traditional gothic literature. “The Signalman” has also the paradigm of gothic literature but Charles dickens used a more contemporary style.

Setting a scene is very important in a Gothic story. You need a good scene to construct a successful story. A traditional setting would be a castle or old manor house as used in “The Red Room”. An old manor house gives you the suggestion of a haunting or spooky monsters wandering around in the darkness. The “Red Room” manor house has a very labyrinthine nature. It is like the manor house wants you to get lost inside the castle maze very vulnerable to anything that could be lurking. The “jabberating darkness” of the castle gives the impression f growing darkness, closing in on you. Although alternatively Charles Dickens’ “The Signalman” is in a more contemporary setting. The steam trains had just been invented I that period, so it was an unique idea to use a more modern setting at a train station. It was also extremely carefully chosen. The persistent steam makes the setting constantly misty. This makes it unable to be positive you saw something but you have a hint of paranoia. The unusually “precipitous” manner of the path to the station is “oozing” and “dangerous”. The “air of reluctance or compulsion” made it clear that no-one was welcome. The steep cutting doesn’t show much sky and the station is left in importunate darkness. However the “Monkey’s Paw”

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Jessica Peacock Year 9F.

does not put an emphasis on the setting but more on fear itself.

The language techniques are key to setting the fear. To create an air of intimidation and to make everything seem depressive, the stories use language techniques such as, “monstrous shadow”, “angry sunset” and “gloomy red”. Onomatopoeia is often used to scare the reader and also to make the reader hear the sounds people in the story are hearing. Some examples of onomatopoeia as used in the selected gothic stories are, “oozing stone”, “door creaked on its hinges”, “fine crash” and “creaking of ...

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