We went to see a modern production at Coventry's Belgrade Theatre. It is a morality play that focuses on how a person's actions over time affect others; I will be focusing on Sheila Birling and Inspector Goole.

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With reference to the production you have seen analyse the character of Sheila Birling and Inspector Goole in what has been called a "well-made play".

J.B Priestley wrote 'An Inspector Calls' in 1945. The play is set in 1912, in an Edwardian dining room, before the World Wars, when social class was more important in England. We went to see a modern production at Coventry's Belgrade Theatre. It is a morality play that focuses on how a person's actions over time affect others; I will be focusing on Sheila Birling and Inspector Goole. There are many other themes in the play including the role of conscience and the class divide and I agree that it is a well-made play. The version we saw at the Belgrade Theatre, although very different to the original stage directions, really made the whole play interesting.

In the play text, the play is set in "the dining room of a fairly large suburban house" and remains there all the way through. The production we saw, though, was very different. On the stage was the front of a house, which swung out so the inside of the dining room could be seen. There were homeless children out on the streets with the Birlings' maid Edna. Most of the production was set outside of the house when each person was being interrogated by the Inspector, which gave the impression that they were on the same level as him and the homeless children. It was a melodramatic production, with nearly everything being very over exaggerated right up to the end, when Edna served them tea outside the tipped-up house. The characters were as written in the play text originally but with more bounce and over the top. The play text involves the audience very much and makes them feel as though they are in the room with the family. However, the production made clear the audience were like the Inspector - only on-lookers on the family watching them.

The Inspector is a very strong character within the production. He changes some members of the family, yet shows the true colours of others. He has a "strong physical presence" and gets straight to the point as soon as he enters the house. He gets everything out of each member of the family through methods of interrogation. In general, the younger members of the family take responsibility for their actions immediately and learn from their mistakes. The slightly older members of the household are more stuck in their ways. The Inspector does make them think about what they have done, and also make them believe that it is was not right. But these feelings did not last very long, because as soon as they found out the Inspector was a fraud, they then felt totally relieved and went back to their old, stubborn ways. They felt that it was perfectly acceptable to have done those terrible things to the "young woman" who "died in the infirmary" as soon as the pressure was off them to admit they were in the wrong.
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Sheila Birling is a prominent character in the production and the girl who played her made Sheila extremely sensationalised in her ways and speech. She reacts unhesitatingly at the Inspector's news of Eva Smith. She is a pretty girl but gets angry in "Millwards" when the shop assistant, Eva Smith, was caught "smiling at Miss Francis" whist Sheila was trying on a dress at the shop. She is very emotional and cries as soon as she knows what she has done. She was engaged to Gerald Croft, owner with his father of a big company at he time. ...

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