What expectations do the authors create by the way they begin their stories? - The Red Room, From The Ostler and The Treasure in the Forest.

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Choose 3 of the Victorian short stories you have studied. What expectations do the authors create by the way they begin their stories?

        We have read a range of stories including: The Red Room, From The Ostler and The Treasure in the Forest. ‘The Red Room’ is about a legendary ghost that lives in a red room of a castle, haunting people if they enter. From the Ostler is about an Ostler who falls in love with a beautiful women and decides to marry her but his mother refuses to let him; the story is set in the past. ‘The Treasure in the Forest’ is about two people described as ‘scumbag thieves’ looking for treasure in an isolated forest. We have studied the opening of each of the 3 proses; the reason being is because they are important as they are only short stories and have to bring many expectations to what the story is about, what happens next and what kind of genre the story is. In this essay, I will analyse what expectations each story gives out to the audience.

From the Ostler was written by Wilkie Collins in 1855. He was famous for writing the first few ever-mysterious novels such as this one. Ostlers were people who look after horses, which reflects to the time this story was written as we rarely see many around anymore; it also gives an idea that this story is set in a farm. ‘From’ tells us that it may be set in the point of view of the Ostler and also that he may be the main character. Collins begins the opening lines of the story with an expectation:  

“…rather a strange time for an ostler to devote to sleep.” Here Collins uses the word “strange” to emphasize that there is something wrong, creating expectations to what this story maybe about e.g. Ostler has something worrying on his mind or maybe a guilty conscience. As we read on, we begin to understand that the Ostler is having a dream about his dramatic event from the past:

“…dreaming his old dream over again…”.The words “over again” from the quote stress that the ostler has been distressed by his dream for quite some time. His dream maybe about murdering his mother over a drastic row with her about him marrying a woman he’s in love with:

“Aha! You she-devil, where’s the knife? Never mind mother-too late now. I’ve promised to marry, and marry I must. Murder!”, but many things are left unexplained e.g. did he murder his mother? What was the row about? Who is this woman he wants to marry? Collins creates these expectations to the audience to make them anxious to read on.

This part of the story is set in a stable, where the ostler sleeps and has his strange dream, and then outside of a house where the landlord approaches the narrator and explains his dream. This is the only vague expectation Collins leaves the reader that the next part of the story maybe set at the same farm, as the landlord knows what ostler’s dream is about. He probably does this as it makes the reader curious about is the landlord involved in his dream and if so, how?

There are 4 characters mentioned the beginning of this story. First, there’s the narrator who witnesses the dramatic actions of the ostler as the ostler’s sleeps. The narrator supposable lives in an inn as he is traumatized from what s/he just seen:

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“…quickly retrace my steps across the inn-yard…” S/he is the character that opens up the next part of the story. The landlord is the character that tells the story and may also be involved in it. The ostler is the main character, more peculiar from the others. He’s anguished from his dream:

“…moves one lean arm slowly, till it rests over his throat- shudders a little…”  Collins uses “lean” to show that the ostler is acting out exactly the way of what maybe a reconstruction of the dramatic moment of his life. Collins shows us the distress of the ostler ...

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